PERSONNEL:
Performers: Lily Alroy, The Blanchards, Nada Conrade, Phyllis Craig, Essie Davis, Bert Desmond, Alf Driscoll, Bob Driscoll, The Éclair Bros, Sadie Gale, Sydney Garti, Dora Gilbert, Will Gilbert, Gladys Gordon, Harry Hart, Mattie Jansen, Bilee Lockwood, Arthur Morley, Marjorie Morton, Sybil Stevenson, Sadie Tilburn, May Topping, George Whitehead, Eve Williams, Harry Wilson.
Additional performers: Arrivals Quartet, and The Eight 'Hip' Hooray Girls.
Production team: Spencer Barry (director), Bert Rache (music director), Reginald Wykeham (producer).
Musicians: Bert Rache and the Arrivals Orchestra.
HISTORICAL NOTES AND CORRECTIONS:
Arthur Morley's involvement in the Arrivals of 1922 was possibly his first after suffering a nervous breakdown in the aftermath of the scandalous 1918 lawsuit between Harry Sadler and Phyllis Faye, in which Morley was named as the person who was allegedly having an affair with Faye while her husband, variety entertainer Bruce Drysdale, was overseas with the Australian Imperial Forces.
It is unclear at this stage whether the two Morley productions were new works or re-worked versions of earlier revusicals (produced during his association with Harry Clay).
FURTHER REFERENCE:
The following list comprises articles, paragraphs, and reports relating to the Arrivals of 1922 Hippodrome season that are not given individual entries in this database.
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This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive