Elizabeth Chapple Elizabeth Chapple i(A104974 works by)
Gender: Female
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1 Biography and Biofiction : Seeking Women’s Voices from Nineteenth-century Australia Elizabeth Chapple , 2022 single work criticism
— Appears in: TEXT Special Issue , no. 66 2022; 'From the mid twentieth century, second-wave feminism prompted interest from both historians and novelists in recovering the voices of women from the past. Where only sparse archival records were extant, a revised practice of biography was necessary, but differences arising from disciplinary approaches have led to debate on how this is best achieved. This essay analyses two contemporary publications that draw attention to lesser-known women’s experiences in colonial Australia: Melissa Ashley’s The Birdman’s Wife (2016) and Kiera Lindsey’s The Convict’s Daughter (2016). Marketed as fiction and biography respectively, these two texts nonetheless use similar techniques to recover the voices of these women from the archives and to share their stories with broad audiences: Immersive research; imaginative interpretation of documented records; character development through dialogue, emotions, thoughts and sensory details; use of literary techniques of imagery and dramatisation as signposts of fictionality. Through these techniques, and despite their generic differences, Ashley and Lindsey’s works evoke a powerful sense of their female subjects’ experiences and inner lives.' 

(Publication abstract)
1 Sunshine i "In the windows dawn comes calling", Elizabeth Chapple , 1991 single work poetry
— Appears in: Lip Service 3 : The Creative Works of Extraordinary, Ordinary Folk 1991; (p. 22)
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