Cirrus@Austlit

A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama.

(Publication Synopsis)

'This collection, introduced by John McCallum, includes three previously unpublished works: Jonah, a Brechtian musical reinvention of Louis Stone's novel of the same name; Top End, a political drama set in Darwin during the Indonesian invasion of East Timor, and Lost Weekend which takes a class-based look at 'Australianess'. They are published together with Romeril's best-known play, The Floating World, the story of a returned serviceman's descent into madness on a cruise ship bound for Japan.

'Romeril's writing conveys the immediacy of the times that stems from his beginnings as an agitprop writer, but he focuses on everyday lives. The plays in Damage explore the twentieth century stresses and strains, the damage we do and the damage done to us.' (From the publisher's website.)

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

'An unsettling play about infidelity seen from the perspective of the three women involved: the wife, the lover and the daughter.

'George and Honor have been happily married for thirty-two years. She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist - on an assignment to 'profile' George - quite deliberately seeks to undermine that understanding. The fallout is dreadful - but beautifully and convincingly portrayed in all its painful consequences.' (Publication summary)

'It begins with a miracle. On a rainy day in Alice Springs in 2039 a fish falls like manna from heaven to bless the reunion of a father with his long lost son. Perhaps it's a sign that the pattern of betrayal and abandonment that began on another rainy day in London in 1959 will come to an end.

'Who'll stop the rain? Andrew Bovell's award-winning When the Rain Stops Falling is powerful storytelling in which the voices of our past echo into our future.' (Publisher's blurb)

'And God said: Thou shalt love thy neighbour. He obviously hadn't reckoned on Ana.

'Neighbourhood Watch is a glorious new comedy about hope, death and pets. It's a classic odd-couple story: opposites attract, and from each other they gain a new understanding. But as the domestic crises accumulate, Neighbourhood Watch takes on a sense of enormity in the midst of the ordinary that would make Patrick White proud.' (From the publisher's website.)

'In 1948, Angela left Malta. Having gathered up five children, she sailed out on the Strathnavar, leaving poverty and the war behind. Her destination: Australia. In Surry Hills, she could build a bright new life. If only she could first learn the language, finish shoring up their dilapidated house, find new friends, get the racist neighbour off her back and keep her son away from sly grog queen Kate Leigh's kids.

'Back in Malta, someone else has made a journey. Making his way along Kalkara's glistening harbourside, a young man with flowing black hair has returned to claim his past. Paul Capsis is walking home.

'A journey that begins at a kitchen table becomes a sprawling family history and a fitting tribute to a much-loved matriarch. Told simply and truthfully, Angela's Kitchen is an astonishingly evocative piece of autobiographical theatre from one of Australia's most versatile performers.'

Source: Griffin Theatre Company website, http://www.griffintheatre.com.au/
Sighted: 15/11/2010

Collection of two plays.

Stolen is based upon the lives of five Indigenous people, who go by the names of Sandy, Ruby, Jimmy, Anne and Shirley, who dealt with the issues for forceful removal by the Australian government.