Historicising the Colonial Mythscape (AIND30008)
Semester 2 / 2016

Texts

form y separately published work icon We of the Never Never Peter Schreck , ( dir. Igor Auzins ) Australia : Adams Packer Film Productions , 1982 Z901254 1982 single work film/TV (taught in 6 units)

Based on Jeannie Gunn's fictionalised autobiography of the same name, the story begins in 1902 with the arrival of Mrs Gunn and her new husband Aeneas in the Northern Territory. They have come to take over management of Elsey Station, a huge cattle and horse property. She is subsequently forced to battle isolation, disease, and the white stockmen who believe the station is no place for a woman. She befriends the local Aboriginal women, but is mystified by their culture. Her affection for the place and the people is tested by frequent tragedy.

(Source: Australian Screen.)

y separately published work icon That Deadman Dance Kim Scott , Sydney : Picador , 2010 Z1728528 2010 single work novel historical fiction (taught in 43 units)

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

y separately published work icon The Secret River Kate Grenville , Melbourne : Text Publishing , 2005 Z1194031 2005 single work novel historical fiction (taught in 69 units)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

Description

This subject explores colonial ‘mythscapes’, the discursive realms in which myths of nation are forged, constantly negotiated and reconstructed. It applies new historicist approaches to selected key events in Aboriginal Australia’s colonial history. Students will be introduced to historical, archival and cultural materials, and will engage with multi-modal texts spanning art, film and literature, speaking to themes of national amnesia, memory and memorials. Key events will include: colonial narratives and Aboriginal and Settler contact/conflict, Ellen Draper’s Old Cobraboor and The Myall Creek Massacre of 1868, the Contested Grounds of history writing, Kate Grenville’s The Secret River and frontier stories; epic pastoral narratives, pioneer myths and the age of the cattle empires.

X