'A new play by Charles Porter, The Footsteps After, [gives the listener] an Idea of the experimental activity of latter-day A.B.C. dramatists. The Footsteps After, like the recently-produced Play Without a Name, has an emotional suppression and understanding of human motives, which are in remarkable harmony with the fluid quality of Mr. Porter's radio technique ('Australian Radio Drama Week : Broadcasting Commission Launches Play Series,' p. 6).