Deborah Wardle Deborah Wardle i(9721900 works by)
Gender: Female
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Works By

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1 [Book Review] Hayley Singer's Abandon Every Hope Deborah Wardle , 2024 single work review
— Appears in: Swamphen : A Journal of Cultural Ecology , March no. 10 2024;

— Review of Abandon Every Hope : Essays for the Dead Hayley Singer , 2023 selected work essay
'Most of the ever-growing body of creative and critical literature that explores human and nonhuman animal relationships addresses the various ways that humans think about and connect to living beings. Scholars focus on the lives of kin and the ways that humans have exploited or preserved our interdependencies with both domestic and wild nonhuman beings. The discipline of animal studies over decades has emboldened discussions about and activism towards the rights of nonhuman animals, working incrementally towards nonhuman animal rights to habitat, shelter, food, voice and a life and death with dignity. For nonhuman animals to someday enjoy the same rights as homo sapiens remains at the forefront of scholarly and activist efforts. Few writers enter the territory of how humans and nonhumans share death. Hayley Singer’s collection of ‘essays for the dead’ opens hearts, minds and souls to this important junction by drawing attention to the scourge of industrial-scaled deaths in abattoirs and slaughterhouses.' (Introduction)
1 Groundwater Deborah Wardle , 2023 single work autobiography
— Appears in: Meanjin , Winter vol. 82 no. 2 2023; Meanjin Online 2023;
1 Storying with Groundwater Deborah Wardle , 2020 single work criticism
— Appears in: Swamphen : A Journal of Cultural Ecology , no. 7 2020;

'Subterranean waters enable life. Humans, non-human animals and enmeshed ecosystems of more-than-human entities, such as river and creek sides, mound springs and swamps, interact with groundwater in a myriad of complex relationships. Hundreds of Australian inland towns and communities rely on bore water. Population counts of people dependent on aquifers across Australia, on the Asian and African continents, in the Middle East and across the Americas reach into the billions. Despite this, there are few literary expressions of groundwater’s potency and vulnerability in the Australian imaginary (Wardle). This essay draws upon fictional portrayals of groundwater from the climate fiction manuscript, Why We Cry (Wardle), to suggest the ways that climate fiction might make a small shift from the ‘derangement’ of blindness to subterranean places through the novel’s endeavours to osmotically affect readers.' (Introduction)

1 Groundwater as Hyperobject Deborah Wardle , 2019 single work criticism
— Appears in: Mosaic , June vol. 52 no. 2 2019; (p. 1-16)

'The essay explores ideas about groundwater in terms of its characteristics as a hyperobject. Key hydrogeology concepts and the conflicts and dilemmas in uses and abuses of groundwater in Australia underpin a search for the metaphorical potency of groundwater. Literature uncovers how allegorical tones of groundwater may be expressed.' (Publication abstract)

1 The Three Akneegoes Deborah Wardle , 2017 single work prose
— Appears in: Meanjin Online 2017;
1 Tapioca Tea Deborah Wardle , 2016 single work short story
— Appears in: Meniscus , May vol. 4 no. 1 2016; (p. 42-46)
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