Inside My Mother single work   poetry  
Issue Details: First known date: 2016... 2016 Inside My Mother
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Active Aesthetics : Contemporary Australian Poetry Daniel Benjamin (editor), Claire Marie Stancek (editor), United States of America (USA) Australia : Tuumba Press Giramondo Publishing , 2016 9514521 2016 anthology poetry

    'Poetry. A collection of work by innovative Australian poets whose work shares an interest in "a primary art of transformation in language" (from the introduction). All contributors traveled to the San Francisco Bay Area in April 2016 to participate in a four-day meeting with similarly-committed U.S.-based poets. The title of the event is also that of the anthology, which its editors intend as an extension and prolongation of the April gathering. ACTIVE AESTHETICS brings news across the Pacific and across the equator of Australia's current radical poetry and poetics. As is true of new poetry in the US, much of the work here reflects the complexity and urgency of political thinking within the aesthetic sphere.'

    Source: Publisher's blurb.

    United States of America (USA) Australia : Tuumba Press Giramondo Publishing , 2016
  • Appears in:
    y separately published work icon The Language in My Tongue : An Anthology of Australian and New Zealand Poetry Cassandra Atherton (editor), Paul Hetherington (editor), Australia : FarFlung Editions , 2022 24888961 2022 anthology poetry

    'This new anthology of Australian and New Zealand poetry is remarkable for its exuberance, its vitality, and the notably youthful vibrancy of its free verse as well as its innovative prose poetry.  Including a wide range of voices from such well-known poets as John Kinsella, Pam Brown, and John Tranter to relative new-comers like Chris Tse and essa may ranapiri, The Language in my Tongue is full of surprises and special pleasures.

    —Marjorie Perloff, Professor Emerita of English
     at Stanford University and Florence R. Scott Professor
     of English Emerita at the University of Southern California

    'Here are vernaculars. Here are modern-day classics. Here is a “mind in an unclear world,” “a space perfection will never survive.”  Here is invention permitted to travel the world, in dense prose poems and in chatty ones, in capable free verse and ghazals, “emissaries” and “a russet lock in an envelope.” Here Echnida meets the Spider, “making things transparent,” and here [is] bodily frailty and erotic love. Here, readers, are some highlights of the Antipodes, two—no, far more than two—poetic traditions, made available for you. Investigate. Drink deep.

    —Stephanie Burt, Professor of English at Harvard University'  (Publication summary)

    Australia : FarFlung Editions , 2022
    pg. 87

Works about this Work

Pain of Australia’s ‘Stolen Generation’ Imbues Voice of a Celebrated Poet Charlotte Graham , 2017 single work column
— Appears in: The New York Times , 9 September 2017; (p. A6)

'When Ali Cobby Eckermann met her biological mother for the first time at age 34, she did not think her life could be enlarged further, she said. Four years later, in 2001, Ms. Cobby Eckermann was reunited with her son, then 18, who had been taken from her at birth.' (Introduction)

Pain of Australia’s ‘Stolen Generation’ Imbues Voice of a Celebrated Poet Charlotte Graham , 2017 single work column
— Appears in: The New York Times , 9 September 2017; (p. A6)

'When Ali Cobby Eckermann met her biological mother for the first time at age 34, she did not think her life could be enlarged further, she said. Four years later, in 2001, Ms. Cobby Eckermann was reunited with her son, then 18, who had been taken from her at birth.' (Introduction)

Last amended 19 Dec 2023 07:31:51
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