Cirrus@Austlit

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.

'A woman disappears. Four marriages are drawn into a tangled web of love, deceit, sex and death. Not all of them survive. LANTANA is a psychological thriller about love. It's about the mistakes we make, the consequences we suffer, and the attempts we make to fix things up.'

Source: Screen Australia. (Sighted: 4/12/2013)

'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)

'Dante and Johnno are unlikely childhood friends, growing up in the bustle of steamy, wartime Brisbane. Later, as teenagers, they learn about love and life amidst the city's pubs and public libraries, backyards and brothels, Moreton Bay figs and tennis parties. As adults, they make the great pilgrimage overseas and maintain an uneasy friendship as they seek to build their lives.

'An affectionate and bittersweet portrait, Johnno brilliantly recreates the sleazy, tropical half-city that was Brisbane and captures a generation locked in combat with the elusive Australian dream.'

Source: Publisher's blurb (Penguin).

On St Valentine's Day 1900, three schoolgirls and a teacher from an exclusive English-style boarding school go missing at the mysterious Hanging Rock in central Victoria. One of the girls is found alive a week later, but the others are never seen again. As morale within the school begins to disintegrate, the headmistress's increasingly incoherent anger is turned towards one student, leading to tragic consequences. Although the police suspect Michael Fitzhubert, a young English aristocrat, and his manservant Albert, who were in the area at the time the girls disappeared, the mystery is never solved. As Paul Byrnes (Australian Screen) notes, the suggested scenarios range from the 'banal and explicable (a crime of passion) to deeply mystical (a crime of nature).'