'Verity Fassbinder has her feet in two worlds. The daughter of one human and one Weyrd parent, she has very little power herself, but does claim unusual strength – and the ability to walk between us and the other – as a couple of her talents. As such a rarity, she is charged with keeping the peace between both races, and ensuring the Weyrd remain hidden from us.
'But now Sirens are dying, illegal wine made from the tears of human children is for sale – and in the hands of those Weyrd who hold with the old ways – and someone has released an unknown and terrifyingly destructive force on the streets of Brisbane.
'And Verity must investigate – or risk ancient forces carving our world apart.'
Source: Publisher's blurb.
'Life in Brisbane is never simple for those who walk between the worlds.
'Verity’s all about protecting her city, but right now that’s mostly running surveillance and handling the less exciting cases for the Weyrd Council – after all, it’s hard to chase the bad guys through the streets of Brisbane when you’re really, really pregnant.
'An insurance investigation sounds pretty harmless, even if it is for ‘Unusual Happenstance’. That’s not usually a clause Normals use – it covers all-purpose hauntings, angry genii loci, ectoplasmic home invasion, demonic possession, that sort of thing – but Susan Beckett’s claimed three times in three months. Her house keeps getting inundated with mud, but she’s still insisting she doesn’t need or want help . . . until the dry-land drownings begin.
'V’s first lead takes her to Chinatown, where she is confronted by kitsune assassins. But when she suddenly goes into labour, it’s clear the fox spirits are not going to be helpful ...'
Source: Publisher's blurb.
'Walking between the worlds has always been dangerous - but this time V's facing the loss of all she holds dear.
'Verity Fassbinder thought no boss could be worse than her perfectionist ex-boyfriend - until she grudgingly agreed to work for a psychotic fallen angel. And dealing with a career change not entirely of her own choosing is doing nothing to improve V's already fractious temper. The angel is a jealous - and violent - employer, so she's quit working for the Weyrd Council and sent her family away, for their own safety. Instead of indulging in domestic bliss, she's got to play BFFs with the angel's little spy, Joyce the kitsune assassin . . . and Joyce comes with her own murderous problems.
'The angel has tasked V with finding two lost treasures, which would be hard enough even without a vengeful Dusana Nadasy on her heels. And Inspector McIntyre won't stop calling: the bodies of Normal women who disappeared decades before are turning up, apparently subjected to Weyrd magics. Angelic demands or not, this isn't something she can walk away from.'
Source: Publisher's blurb.
'I should start by saying that the Verity Fassbinder series began as a standalone short story. “Brisneyland by Night” was written at Clarion South in 2009 and caught the eye of someone who helpfully suggested it would make an excellent series if I could manage it.' (Introduction)
'I should start by saying that the Verity Fassbinder series began as a standalone short story. “Brisneyland by Night” was written at Clarion South in 2009 and caught the eye of someone who helpfully suggested it would make an excellent series if I could manage it.' (Introduction)