Grief single work   prose  
Issue Details: First known date: 2016... 2016 Grief
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Napoleon's Roads David Brooks , St Lucia : University of Queensland Press , 2016 9021117 2016 selected work prose

    'A writer questions the architecture of words, struggling to capture his ideas before they are lost; a husband excavating beneath his house becomes mesmerised by silence and disappears in search of solitude; a lighthouse keeper dreams that he is a man dreaming that he is the keeper of a lighthouse.

    'Magnificent in its scope and imagery, David Brooks's mastery of the written word is eclipsed in this thought-provoking collection. Both evocative and experimental, Brooks's stories conjure fragments of memory and time, capturing streetscapes and heartscapes in a mosaic-style splendour.

    'Lyrical and perceptive, brave and illuminating, Napoleon's Roads explores the richness of language and the possibilities of expression, while exemplifying some of the most sophisticated, polished and beautiful contemporary literature in Australia today.' (Publication summary)

    St Lucia : University of Queensland Press , 2016
    pg. 92-101
  • Appears in:
    y separately published work icon The Best Australian Stories 2016 Charlotte Wood (editor), Melbourne : Black Inc. , 2016 9666034 2016 anthology short story

    'The Best Australian Stories anthology brings together Australia’s most striking literary talents and provides a platform for those unpublished gems. This year Stella Prize–winning author Charlotte Wood takes the helm, putting together yet another enchanting collection. ...' (Source: Publisher's website)

    Melbourne : Black Inc. , 2016
    pg. 197-204

Works about this Work

The End of the Image : The Moth and the Cat in David Brooks's "Grief" and Virginia Woolf's "the Death of the Moth" Michelle Hamadache , 2018 single work essay
— Appears in: Southerly , vol. 78 no. 1 2018; (p. 244-256)

'The chapel, and not the church, is where the funeral takes place in "Grief," a short story from David Brooks's 'Napoleon's Roads'. Because the chapel isn't used much, being less grand than the church and located inside the walls of the cemetery, it stinks of mice droppings and requires sweeping-out the day before. Here, on the pews before the open casket of Katia's Nona, dead from a fall that left the right side of her face an open wound, is where "Grief" begins, and where it ends. Nona, the death mask, her old and broken face repeated, perhaps like a Janus-face, the bookends of the story in between.'  (Publication abstract)

 

The End of the Image : The Moth and the Cat in David Brooks's "Grief" and Virginia Woolf's "the Death of the Moth" Michelle Hamadache , 2018 single work essay
— Appears in: Southerly , vol. 78 no. 1 2018; (p. 244-256)

'The chapel, and not the church, is where the funeral takes place in "Grief," a short story from David Brooks's 'Napoleon's Roads'. Because the chapel isn't used much, being less grand than the church and located inside the walls of the cemetery, it stinks of mice droppings and requires sweeping-out the day before. Here, on the pews before the open casket of Katia's Nona, dead from a fall that left the right side of her face an open wound, is where "Grief" begins, and where it ends. Nona, the death mask, her old and broken face repeated, perhaps like a Janus-face, the bookends of the story in between.'  (Publication abstract)

 

Last amended 23 Jun 2017 08:12:02
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