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'Mee’s erudite analysis of The Horseman, an Australian film that bestrides the much neglected genres of splatter and exploitation cinema, describes what films of its kind can tell us about the operations of Jean-François Lyotard’s libidinal economy.' (Publication abstract)
'This engrossing narrative returns the reader to the delicate milieu of the childhood home—only to imbue this innocent venue with the trauma of death. Some time after the protagonist’s brother dies, he is reincarnated as a rabbit named “Mixi”—a creature of malice and a symbol familial division.' (Publication abstract)
'Weelow is a disquieting narrative about the sexual assault of a young Indigenous woman, Dorothea, and its devastating impact on her life and on that of her friend, Eugene, a navigator of the “White Man’s bureaucracy.”' (Publication abstract)