'This article seeks to reveal how Patrick White's ecological aesthetic sense is developed progressively in his major works. If we read his works in green fro the ecological content we can see nature writ large in series of his novels: The Tree of Man, a man's poetic dream of life in the bush is destroyed by the devastating effects of urban expansion; Voss, an ego-centric German's conquest of nature causes his failure and death in the Australian outback; in A Fringe of Leaves, a young woman's true nature is presented and when she is precipitated into the primitive, savage natural world she finds "the hero within" herself.' (86)