'In this riveting reworking of Euripides' play, Medea is a young Indigenous woman who after leaving her family and desert country behind, finds herself in a loveless partnership with the drunken and violent Jason. When Medea attempts to flee home with their young son, Jason makes her promise that she will never take the child from the house. In a breathtaking act of revenge and sacrifice, Medea kills her young child... the child that was the father's heart.' (Source: AusStage website)
'Locked in their bedroom, two brothers play games to pass the time, as siblings do. Off-stage, their parents are having a very famous showdown. At an inevitable moment, the children will be drawn away from their games and into their parents' bitter argument. From there, they will enter mythology as the most tragic siblings of all time.'
Source: Black Swan Theatre Company.
'When Medea fell for Jason, she fell hard. Hard enough to sacrifice everything to be with him. She deceived her father, committed murder, left the comforts of her homeland and bore him two sons.
'So when a power-hungry Jason takes up with a younger woman, Medea’s humiliation quickly turns to revenge and a horrible plan is hatched. Nothing is off limits. No one is safe. Not even the children.
'Acclaimed Australian playwright Suzie Miller’s elegant adaptation will be played in the round, bringing this classic tale of revenge to life.' (Production summary)
''Meredith' is a retelling of Euripides’ 'Medea', but with a twist as the drama takes place in nineteenth-century England. Impoverished aristocrat Lord Jason spurns Meredith in favour of Gloria, the daughter of the wealthy businessman, Crane. In the beginning, Meredith acquiesces with Jason’s scheme because she will sacrifice everything, so her sons do not face poverty. Later, Meredith no longer tolerates such insolence passively. Resolute and shrewd, she focuses her formidable energies to realising the grandest, and most shocking, retribution possible on those who have wronged her.'
Source: Publisher's blurb.
'MEDEA: OUT OF THE MOUTHS OF BABES is Theatre Works’ new production based on Euripides’ MEDEA as recalled and reimagined from the fantastical minds of her (allegedly?) slain children. History is told by the victors, and myths preserved by those in power, but perhaps it is the youngest that grip the hardest truths?
'Medea, arguably one of the darkest tales Western theatrical canon, is given a fresh and surprisingly playful rebirth as told from the point of view of its undoubtedly most important characters: Medea’s children.
'This daring amalgamation of theatrical forms plays out like a surreal living music video with film projection, live feed and song.'
Source: TheatreWorks.
Medea is included in AustLit because of Australian-written adaptations.
First produced in Athens in 431 BCE.