Jennifer Jackson Jennifer Jackson i(9082960 works by)
Gender: Female
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1 y separately published work icon The Ross Bridge : A Cast of Characters Jennifer Jackson , Hobart : A Published Event , 2018 19040192 2018 selected work essay historical fiction

'The Ross Bridge in Tasmania, with its 186 voussoirs carved in high relief, is unique in the world. In 1842, 12 characters carved into the stone are seen through the eyes of ticket-of-leave lag, Tom Herbert. He has walked to Ross to celebrate legendary sculptor, Dan Herbert’s, freedom. Memory of master mason, James Colbeck is being cast off. Architect, artist and convict superintendent, Charles Atkinson is dead, scorned and forgotten. He had arrived in 1833, seeking fame. Perhaps the bridge is a monument to his grandiose gothic vision. In The Ross Bridge: A Cast Of Characters, author Jennie Jackson unfolds the place, art and mystery of an unconventional historical narrative.'

Source: Publisher's blurb.

1 y separately published work icon A Smile for Micky Desmond Jackson , Taroona : Prudence Power Jennifer Jackson Elizabeth Jackson , 2015 9082972 2015 single work autobiography

'From the horror of a prison camp on the Thai-Burma railway to a tender act of remembrance in Hobart, A Smile for Micky is a true tale of friendship, endurance, suffering and tribute. Author, Desmond Jackson, was a prisoner of war for three and a half years under the Japanese. Twenty-five years later, he felt compelled to write about events he witnessed during that terrible time: events that no one there could forget.

'His fellow prisoner, artist and friend, Jack Chalker, painted the watercolours especially for the book.

In his foreword to the book, Cameron Forbes, author of Hellfire: The Story of Australia, Japan and the Prisoners of War, says: "Desmond Jackson is a man of grace and strength, wrote this requiem for Micky Hallam some time ago. The publication of it is to be welcomed. A Smile for Micky is a small gem, beautifully illustrated."

Intimately involved as the Medical Officer at the time, Sir Edward 'Weary' Dunlop said in a letter to the author: "I was deeply interested in your account of that shocking beat-up..."

'Published posthumously, this is a book with a message that endures from generation to generation: that war is brutal and futile. It epitomizes the cry: Lest We Forget.' (Publication summary)

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