'Link-Up Diary explores the consequences of the New South Wales government’s long-term practice of taking Aboriginal children away from their parents and raising them in “white” environments. The film takes the form of a personal journey by the filmmaker, David MacDougall, as he spends a week on the road with three workers from Link-Up.'
'Link-Up is an Aboriginal organisation founded in 1980 by Oomera (Coral) Edwards, herself taken away from her family, to help Aboriginal people find their lost parents and other relatives. As the film shows, being reunited with one’s family is only the first step in the process. Then begins the long and often difficult stage of learning to accept both the new family members and one’s new identity.'
'The film follows Oomera and two of her colleagues (historian Peter Read, and Link-Up trainee Robyne Vincent) as they follow up several of their cases in and around Sydney. In the process, they reunite a young woman with her father. Through these visits, we learn how children were taken and placed in institutions or put out for fostering or adoption by white families and the impact this separation had on the children themselves and their families...'
The MacDougall Tapes
Andrew Pike
,
Mitchell
:
Ronin Films
,
2017
11433482
2017
single work
film/TV
interview
'These extended conversations with David and Judith MacDougall represent an invaluable archival record and convey a wealth of ideas and information relating to their experiences as a highly influential ethnographic filmmaking team.
'The conversations cover their years with the Film Unit of the Australian Institute of Aboriginal Studies, Canberra, 1975-1987. During this time, the MacDougalls made a series of eleven documentary films, many of them acknowledged world-wide as landmark achievements in ethnographic cinema. These films included TAKEOVER (1979), THE HOUSE-OPENING (1980), THREE HORSEMEN (1982), SUNNY AND THE DARK HORSE (1987) and LINK-UP DIARY (1987). The MacDougalls discuss their approach to filmmaking and the circumstances of making each film. They also reflect on their body of work from the perspective of today, and discuss the work of other filmmakers who worked for the Film Unit, notably Kim McKenzie with films such as WAITING FOR HARRY (1980), and the work of Indigenous filmmakers Wayne Barker and Oomera (Coral) Edwards.' (Publication summary)
The MacDougall Tapes
Andrew Pike
,
Mitchell
:
Ronin Films
,
2017
11433482
2017
single work
film/TV
interview
'These extended conversations with David and Judith MacDougall represent an invaluable archival record and convey a wealth of ideas and information relating to their experiences as a highly influential ethnographic filmmaking team.
'The conversations cover their years with the Film Unit of the Australian Institute of Aboriginal Studies, Canberra, 1975-1987. During this time, the MacDougalls made a series of eleven documentary films, many of them acknowledged world-wide as landmark achievements in ethnographic cinema. These films included TAKEOVER (1979), THE HOUSE-OPENING (1980), THREE HORSEMEN (1982), SUNNY AND THE DARK HORSE (1987) and LINK-UP DIARY (1987). The MacDougalls discuss their approach to filmmaking and the circumstances of making each film. They also reflect on their body of work from the perspective of today, and discuss the work of other filmmakers who worked for the Film Unit, notably Kim McKenzie with films such as WAITING FOR HARRY (1980), and the work of Indigenous filmmakers Wayne Barker and Oomera (Coral) Edwards.' (Publication summary)
