Cirrus@Austlit

'This paper explores the compositional processes of this post-critic, his errant and wandering trajectories, as he faces a crisis of academic genre. Addressing a parodic tone recently adopted in critical writing, it performatively enacts what Ulmer terms ‘post-criticism’, a strategy of textual demonstration (explanation, exposition, exhibition; but also protest) and détournement (a critical copying and correction, remixing; morphological mimicry as textual transgression and politico-poetic subversion) which applies the devices of modernist art to critical representations. The narrative conceit of an imaginary museum exhibition is deployed to demonstrate this more oblique style, exemplary, dramatic, performative, tracing its speculative genealogy through some convergent twentieth-century avant-gardes.' (Publication abstract)