'Country women and the colour bar is a timely corrective to established ideas about race relations in rural New South Wales. It reveals the untold story of grassroots efforts by Aboriginal and white women working together to make significant gains for Aboriginal communities prior to Aboriginal people’s widespread access to citizen’s rights.'
'In the 1950s and 1960s, in towns across New South Wales, specially created Aboriginal branches of the Country Women’s Association were established. Country women and the colour bar offers insights into the experience of ordinary Aboriginal and white rural women as they participated in beauty contests, cookery, handicraft lessons and baby contests. It reveals how Aboriginal assimilation policy met everyday reality as these rural women broke the rural colour bar in an unprecedented fashion and fostered cooperative campaigns for meaningful change in race-relations.' (Source: Publishers website)
'Jones’ history of Aboriginal Country Women’s Association (CWA) branches in New South Wales (NSW), from 1956 to their disappearance in 1972, offers a new chapter in the organisation’s history. Jones uses both archival sources and oral history in her well researched and insightful book, Country women and the colour bar: Grassroots activism and the Country Women’s Association. Her book’s central focus is the ‘tracing of cross-racial mixing in CWA branches on Aboriginal stations and reserves’. Referring to the inauguration of these branches as an ‘experiment’ and ‘bold’, her research covers a seventeen year period.' (Introduction)
'The point of departure for Country Women and the Colour Bar is the contrast (and friction) between the now fairly well-known Freedom Rides, which toured New South Wales (NSW) in 1965 – drawing attention to the racism and segregation still rife in many country towns – and the ‘quiet activism’ in which many country women had been engaged for a decade or more, working together with sympathetic white people to create networks of support and improvements in living conditions for Aboriginal communities. Country Women and the Colour Bar immerses the reader in this world of country women, and the local concerns and relationships of women in six NSW towns where branches of the Country Women’s Association (CWA) open to, or expressly for, Aboriginal women existed between 1956 and 1972.' (Introduction)
'Country women and the colour bar documents the role the Country Women’s Association (CWA) played within certain communities of New South Wales between 1956 and 1972. This period in Indigenous history was governed by assimilation policies set up by the Aborigines Welfare Board. The account demonstrates how Aboriginal CWA members responded to the unique circumstances of their district and community histories to develop their own agenda for assimilation (p.xvii).' (Inroduction)
'Country women and the colour bar documents the role the Country Women’s Association (CWA) played within certain communities of New South Wales between 1956 and 1972. This period in Indigenous history was governed by assimilation policies set up by the Aborigines Welfare Board. The account demonstrates how Aboriginal CWA members responded to the unique circumstances of their district and community histories to develop their own agenda for assimilation (p.xvii).' (Inroduction)
'The point of departure for Country Women and the Colour Bar is the contrast (and friction) between the now fairly well-known Freedom Rides, which toured New South Wales (NSW) in 1965 – drawing attention to the racism and segregation still rife in many country towns – and the ‘quiet activism’ in which many country women had been engaged for a decade or more, working together with sympathetic white people to create networks of support and improvements in living conditions for Aboriginal communities. Country Women and the Colour Bar immerses the reader in this world of country women, and the local concerns and relationships of women in six NSW towns where branches of the Country Women’s Association (CWA) open to, or expressly for, Aboriginal women existed between 1956 and 1972.' (Introduction)
'Jones’ history of Aboriginal Country Women’s Association (CWA) branches in New South Wales (NSW), from 1956 to their disappearance in 1972, offers a new chapter in the organisation’s history. Jones uses both archival sources and oral history in her well researched and insightful book, Country women and the colour bar: Grassroots activism and the Country Women’s Association. Her book’s central focus is the ‘tracing of cross-racial mixing in CWA branches on Aboriginal stations and reserves’. Referring to the inauguration of these branches as an ‘experiment’ and ‘bold’, her research covers a seventeen year period.' (Introduction)