Ana Saldanha Ana Saldanha i(9025546 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
24 30 y separately published work icon The Dry Jane Harper , ( trans. Ana Saldanha with title A seca ) Portugal : Edicoes ASA , 2017 9592721 2016 single work novel detective

'WHO REALLY KILLED THE HADLER FAMILY?

'Luke Hadler turns a gun on his wife and child, then himself. The farming community of Kiewarra is facing life and death choices daily. If one of their own broke under the strain, well ...

'When Federal Police investigator Aaron Falk returns to Kiewarra for the funerals, he is loath to confront the people who rejected him twenty years earlier. But when his investigative skills are called on, the facts of the Hadler case start to make him doubt this murder-suicide charge.

'And as Falk probes deeper into the killings, old wounds are reopened. For Falk and his childhood friend Luke shared a secret ... A secret Falk thought long-buried ... A secret which Luke's death starts to bring to the surface ...' (Publication summary)

17 10 y separately published work icon Lost & Found Brooke Davis , ( trans. Ana Saldanha with title A Menina Perdida &​ Achada ) Portugal : ASA Literatura , 2015 6864471 2014 single work novel (taught in 1 units)

'A heart-warming debut about finding out what love and life is all about.

'At seven years old, Millie Bird realises that everything is dying around her. She wasn't to know that after she had recorded twenty-seven assorted creatures in her Book of Dead Things her dad would be a Dead Thing, too.

'Agatha Pantha is eighty-two and has not left her house since her husband died. She sits behind her front window, hidden by the curtains and ivy, and shouts at passers-by, roaring her anger at complete strangers. Until the day Agatha spies a young girl across the street.

'Karl the Touch Typist is eighty-seven when his son kisses him on the cheek before leaving him at the nursing home. As he watches his son leave, Karl has a moment of clarity. He escapes the home and takes off in search of something different.

'Three lost people needing to be found. But they don't know it yet. Millie, Agatha and Karl are about to break the rules and discover what living is all about.' (Publication summary)

X