Cirrus@Austlit

'In January 1972, five women took to the stage of Carlton’s Pram Factory to preview their women’s play Betty Can Jump. Claire Dobbin, Helen Garner, Evelyn Krape, Jude Kuring and Yvonne Marini mocked the ocker character beloved by Pram Factory playwrights, and performed monologues about men, sex, and how they felt “as a woman”. Directed by Kerry Dwyer and produced by the Carlton Women’s Liberation group, the play’s frank revelations stunned audiences and shocked the Pram Factory world.

'Set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements, Kath Kenny uses interviews and archival material to tell the story of Betty Can Jump. On the 50th anniversary of this ground-breaking play, she considers its ongoing impact on Australian culture, and asks why the great cultural renaissance of women’s liberation has been largely forgotten. She sets out her stake in this story, as a theatre reviewer today and as a child born into the revolutionary early 1970s. And she asks why feminism keeps getting stuck in mother-daughter battles, rethinking her own experience as a young feminist who clashed with Garner over the publication of The First Stone.'

Source: Publisher's blurb.

'Sex workers in nineteenth-century Melbourne were judged morally corrupt by the respectable world around them. But theirs was a thriving trade, with links to the police and political leaders of the day, and the leading brothels were usually managed by women.

'While today a popular bar and a city lane are famously named after Madame Brussels, the identities of the other ‘flash madams’, the ‘dressed girls’ who worked for them and the hundreds of women who solicited on the streets of the Little Lon district of Melbourne are not remembered.

'Who were they? What did their daily lives look like? What became of them? Drawing on the findings of recent archaeological excavations, rare archival material and family records, historian Barbara Minchinton brings the fascinating world of Little Lon to life.''

Source : publisher's blurb

'When socialist barrister and aspiring member of parliament Maurice Blackburn met Doris Hordern, ardent feminist and campaign secretary to Vida Goldstein, neither had marriage in their imagined futures. But they fell in love-with each other as much as with their individual aspirations to change the world for the better. Theirs would be an exacting partnership as they held one another to the highest ideals. They worked as elected members of parliaments and community activists, influencing conscription laws, benefits for working men and women, atomic bomb tests, civil rights and Indigenous recognition. Together, they shook Australia.'   (Publication summary)

'Before there was Arthur Conan Doyle’s Sherlock Holmes, there was Fergus Hume’s The Mystery of a Hansom Cab—the biggest- and fastest-selling detective novel of the 1800s, and Australia’s first literary blockbuster.

'Fergus Hume was an aspiring playwright when he moved from Dunedin to Melbourne in 1885. He wrote The Mystery of a Hansom Cab with the humble hope of bringing his name to the attention of theatre managers. The book sold out its first run almost instantly and it became a runaway word-of-mouth phenomenon—but its author sold the copyright for a mere fifty pounds, missing out on a potential fortune.

'Blockbuster! is the engrossing story of a book that would help define the genre of crime fiction, and a portrait of a great city in full bloom. Rigorously researched and full of arresting detail, this captivating book is a must-read for all fans of true crime, history and crime fiction alike.' (Publication summary)