Mohebat Ahmadi Mohebat Ahmadi i(8973010 works by)
Gender: Female
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1 1 y separately published work icon Towards an Ecocritical Theatre : Playing the Anthropocene Mohebat Ahmadi , Abingdon : Routledge Taylor & Francis Group , 2022 27347980 2022 multi chapter work criticism

'Towards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challenges of changing interactions between humans and the nonhuman world.

'To explore these problems, the book investigates international Anglophone plays and performances by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall, and Miwa Matreyek, who have taken significant steps towards re-orienting theatre from its traditional focus on humans to an ecocritical attention to nonhumans and the environment in the Anthropocene. Their theatrical works show how an engagement with the problem of scale disrupts the humanist bias of theatre, provoking new modes of theatrical inquiry that envision a scale beyond the human and realign our ecological culture, art, and intimacy with geological time. Moreover, the plays and performances studied here, through their liveness, immediacy, physicality, and communality, examine such scalar shifts via the problem of agency in order to give expression to the stories of nonhuman actants. These theatrical works provoke reflections on the flourishing of multispecies responsibilities and sensitivities in aesthetic and ethical terms, providing a platform for research in the environmental humanities through imaginative conversations on the world’s iterative performativity in which all bodies, human and nonhuman, are cast horizontally as agential forces on the theatrical world stage.

'This book will be of great interest to students and scholars of theatre studies, environmental humanities, and ecocritical studies.'(Publication summary)

1 Andrew Bovell's 'When the Rain Stops Falling' : Theatre in the Age of 'Hyperobjects Mohebat Ahmadi , 2015 single work criticism
— Appears in: Australasian Drama Studies , June no. 66 2015; (p. 40-62)
In this article, I reread Andrew Bovell’s When the Rain Stops Falling, an Australian theatre work from 2008, from a fourth-wave ecocritical perspective within the context of climate change. Since the foundation of the Association for the Study of Literature and Environment (ASLE) in 1992, ecocriticism has undergone critical shifts leading to new methodologies and perspectives. In the meantime, we have observed three waves of ecocriticism, and more recently, in the Autumn 2012 issue of ISLE, Scott Slovic heralded a ‘fourth-wave material trend in ecocriticism’. ‘Material ecocriticism’ has emerged around ‘the fundamental materiality (the physicality, the consequentiality) of environmental things, places, processes, forces, and experiences’. This new paradigm of ecocriticism asks for not only the way the agency of nonhuman forces is represented in a text but also the way an agentic force itself narrates the story of its materiality MOHEBAT AHMADI @1 Australasian Drama Studies 66 (April 2015) through interconnection with other human and nonhuman agents. To read Bovell’s play from this perspective, I draw on the work of Timothy Morton and apply the key concept of ‘hyperobjects’; a crucial shift in ‘ecological thought’, which along with the key term of ‘dark ecology’ are the main contributions to the fourth phase of ecocritical theory. It is Morton’s emphasis on the object-oriented ontological feature of ‘hyperobjects’ or their engagement with the agency of things and an interconnected assemblage of objects that shape my material ecocritical reading in the field of Drama Studies.' (Author's introduction)
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