Cirrus@Austlit

'One of the debates which Australia continues to witness with various degrees of intensity involves the complex ways of articulating settler (un)belonging in the postcolonising settler nation. While one of the most significant moments which re-defined settler-Indigenous relationship took place around the turn of the twenty-first century, the critical scholarship examining settler anxieties regarding the sense of (un)belonging is flourishing in the post-Mabo period, as is the production of cultural and literary narratives engaging with this topic. This article explores two recent memoirs of settler belonging in Australia and contextualises them in a broader tradition of settler memoirs in the first decade of this century. By comparing and contrasting Tim Winton’s Island Home (2015. London: Picador) and Kim Mahood’s Position Doubtful (2016. Melbourne: Scribe), the article demonstrates a visible shift from earlier forms of writing settler (un)belonging, which often thematised settler anxiety and desire to belong through various acts of appropriating Indigenous ways of belonging. Winton’s and Mahood’s memoirs, however, offer a different vision of settler belonging: one that is deeply embedded in local, bioregional and environmental histories, recognition of Indigenous knowledges as significant agents shaping post-Mabo aesthetics and politics, and a commitment to transformation of settler relationship with the land from territory to Country.' (Publication abstract)

'Taking as a starting point the metaphor of the palimpsest, this essay explores Winton’s sense of being Australian in his 2015 landscape memoir Island Home. Sarah Dillon’s distinction between the palimpsestic and the palimpsestuous, which draws on Foucault’s own differentiation between the workings of archaeology and genealogy respectively, provides the wider frame. A palimpsestic reading of Island Home along the lines of Abraham and Torok’s reflections on mourning and loss, more specifically their theory of the psychic crypt, throws light on Winton’s “inexpressible mourning” (Abraham and Torok 130) for the loss of an unshaken pre-apology Australianness. Complementarily, a palimpsestuous approach to the text evinces the emergence, among the traces of white nationalism, of a new pattern in Winton’s latest additions to his palimpsest of a nation in Island Home. Read horizontally rather than vertically, Winton’s book reveals an interest in what he calls “an emotional deepening” (168), a new sense of relatedness that acknowledges the damage done to the Indigenous population at the same time that it honours the contribution of the rightful inhabitants of Australia to the current national narrative, creating, in this way, possible openings for non-Indigenous belonging.'

Source: Abstract.

'Jessica White examines eco-memoir in two examples: Tim Winton's Island Home (2015) and Kim Scott's and Hazel Brown's Kayang and Me (2005). She explores how memory can describe the loss of an environ-ment but also promote its recovery, and the implications for each writer's identity. Her chapter argues that, alongside science, literary expressions of memory have an important role to play in raising awareness of the sustainable use and protection of our environment.'

Source: Introduction (p.6).

'Many years ago I read a now forgotten novel by a now forgotten author, which had a truly wonderful preface. It read, simply, this bloody book nearly killed me. I therefore dedicate it, dear Reader, to myself. There is a delicate irony at play, I think, in my long remembering this dedication while the book itself is erased completely from my memory. I’ll touch on the interplay of knowledge and memory in due course. What I want to start by saying, though, is that in my case, as in the case of that forgotten preface’s author, while writing can be a horrifically stressful business - and while writing this paper did indeed feel like it was going to kill me - the Author is emphatically Not Dead.' (Introduction)