Temporary Whim single work   poetry   "I draw a circle around my feet in chalk"
Issue Details: First known date: 2015... 2015 Temporary Whim
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All Publication Details

  • Appears in:
    y separately published work icon Strange Objects Covered with Fur : 2015 UTS Writers Anthology UTS Writers' Group (editor), Sydney : Xoum , 2015 8745954 2015 anthology short story poetry

    'The UTS Writers’ Anthology is an annual publication produced by the University of Technology, Sydney. Students from the undergraduate, postgraduate and research programs submit their work anonymously, and a student editorial committee selects and edits the Anthology over a period of four months. In 2015, from over 300 submissions, the committee selected 30 outstanding pieces.

    Over the years the Anthology has featured UTS alumni who have gone on to make names for themselves as authors. Gillian Mears, Bernard Cohen, Jill Jones, MTC Cronin, David Astle and Arabella Edge, along with more recent emerging authors such as P.M. Newton, Clinton Caward, Julie Chevalier and Isabelle Li, have all had early or indeed their first publications here.

    'In addition, the Anthology has been supported by forewords from leading writers such as James Bradley, Delia Falconer, Nam Le and Anna Funder – many of whom have been involved with the UTS creative writing program, and who have acknowledged the outstanding talent of its students. In 2015 the Anthology features a foreword by the acclaimed author of Only the Animals, Ceridwen Dovey.' (Publication summary)

    Sydney : Xoum , 2015
    pg. 129-130
  • Appears in:
    y separately published work icon Arts Features International : Escape Artists Anthology Ruth Skilbeck (editor), Newcastle : Borderstream Books , 2018 28549884 2018 anthology poetry essay

    'Featuring the works of thirty four authors, artists, arts and cultural historians, from around the world and across urban and regional Australia, the inaugural anthology issue of Arts Features International literary arts anthology journal, addresses themes of artistic, social, cultural and technological change, in a time of major historical evolutionary transition. From the displacement and shock of transitioning from the ‘private’ timeless zone of writing to the public zone of ‘virtual reality’ and publishing via computer, to social media and digital arts production arises the need to gather together to defend our humanity, and environment, and speak in a polyphony individually together.'

    Source: Publisher's blurb.

    Newcastle : Borderstream Books , 2018
    pg. 163
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