Cirrus@Austlit

'Houses, and their domestic spaces of intimacy and negotiation, sit at the core of Helen Garner’s early fiction. Most often they are large, communal houses in Melbourne’s Carlton or Fitzroy, places where a generation of youngish countercultural musicians, artists, and wounded souls challenge the accepted rules of sexual relationships and attempt to redefine what might constitute family. In the kitchens and bedrooms of Monkey Grip (1977), Honour and Other People’s Children (1980), and Cosmo Cosmolino (1992), Garner’s characters wrestle with their passions and ideals. The new patterns of living that they establish offer, particularly for the women, a sense of liberating possibility beyond marriage and childrearing, but that freedom is coupled with compromise and loss. In The Children’s Bach (1984), Garner shifts her focus to the suburban household of a married couple. In this novella, she both critiques and celebrates the burdens of responsibility and commitment.' (Publication summary)