form y separately published work icon Barracuda series - publisher   film/TV  
Adaptation of Barracuda Christos Tsiolkas , 2013 single work novel
Issue Details: First known date: 2016... 2016 Barracuda
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AbstractHistoryArchive Description

'Based on the book of the same name by Christos Tsiolkas, Barracuda follows young Olympic hopeful, Danny Kelly, as he deals with the pressure of obsession.'

Source: Screen Australia.

Notes

  • Mini-series.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Barracuda’s Freak Bodies and Elite Swimming in Australia Jessica Gildersleeve , 2022 single work criticism
— Appears in: Journal of Australian Studies , vol. 46 no. 1 2022; (p. 98-11)

'This article considers the way in which elite swimming in Australia constitutes a system of identity to frame the privileging of heterosexuality, able-bodiedness and hypermasculinity in Christos Tsiolkas’s novel Barracuda (2013) and its television adaptation (2016). It argues that the two versions of the story offer very different sporting narratives: a migrant, working-class, gay body in the novel, the complexity of which is never fully realised on screen. The article shows how the television adaptation of Barracuda reshapes the novel’s atemporal structure into a linear progression of rise, fall and redemption, and that under these narrative conditions Daniel Kelly’s body becomes simply object, rather than embracing the subjecthood he is permitted in the novel. The effect is one of compulsory normalisation and erasure: of Danny’s queer body, of Dennis’s and Martin’s damaged bodies, and of the consequences of Danny’s criminal act. This process parallels similar attitudes towards Australia’s most elite athletes and the public ownership of their body narratives.' (Publication abstract)

Charting Tsiolkas’s Literary Development through Adaptations Liz Shek-Noble , 2022 single work criticism
— Appears in: Journal of Australian Studies , vol. 46 no. 1 2022; (p. 72-84)

'Christos Tsiolkas has occupied an increasingly central position in the contemporary Australian literary and cultural imagination. Starting with his novel Loaded (1995), Tsiolkas’s fiction engages with subject matter that speaks to his personal experience as both a gay man of Greek heritage and a writer concerned with larger social and political issues affecting a multicultural Australia. Examples of recurring themes in Tsiolkas’s fiction include the irreconcilability of Greek and Australian identity, racial and class intolerance, emergent sexual consciousness, and the conflict between familial obligation and individual expression. In contrast to these arguably “reader-friendly” themes—that is, themes that are accessible to a wide and non-specialist audience—Tsiolkas’s early novels (LoadedThe Jesus Man, 1999; and Dead Europe, 2005) possess a subversive edge in how they explore obscenity and social transgression. However, the publication of Tsiolkas’s fourth novel, The Slap (2008), signalled a new phase in his career, in which the formal rawness of his prose and his uncompromising representation of extreme corporeal states gave way to a simplicity in his written expression that mirrored the growing topicality of his subject matter. This change in purpose mirrors the shift in both the reception of Tsiolkas the writer and of his fiction. Prior to The Slap, Tsiolkas was viewed as a “cult figure” who, though of some critical interest, neither captivated the attention of a mainstream audience nor was celebrated by the literary establishment as an “Australian” writer whose fiction reflected purportedly national interests. However, the critical and commercial success of The Slap has ensured that both Tsiolkas and his subsequent fiction have been (re)cast as pivotal sites of commentary on contemporary Australian class and racial politics. Put another way, Tsiolkas’s “increasing visibility … as a public intellectual, if not a literary celebrity”, has resulted in changes to the form, language and subject matter of his novels, and also the ways critics receive and understand his career.' (Publication abstract)

Fish In and Out of Water : The Embodied Aspects of Class and Sport in Barracuda Dion Kagan , 2017 single work essay
— Appears in: Metro Magazine , Summer vol. 191 no. 2017; (p. 34-41)
The ABC adaptation of Christos Tsiolkas' Barracuda may have downplayed some of the novel's explicit queerness, but in its place is an astringent subversion of Australia's glorification of sporting heroism and the white, hetero-masculine ideals tied to it. Moreover, writes Dion Kagan, the narrative's focus on swimming encapsulates the country's deep investment in individualistic social mobility, with the series interrogating societal inequities rooted in class, race, gender and sexuality.
Convergent Communities : The 2016 Screen Futures Summit Mel Campbell , 2016 single work criticism
— Appears in: Metro Magazine , Spring no. 190 2016; (p. 122-123)
Ex PM Joins ABC in 2016 Antimo Iannella , Anna Vlach , Matt Gilbertson , 2015 single work column
— Appears in: The Advertiser , 25 November 2015; (p. 28)
Taking Her Cue From the Masters Penelope Debelle , 2015 single work column
— Appears in: The Advertiser , 3 December 2015; (p. 9)
Ex PM Joins ABC in 2016 Antimo Iannella , Anna Vlach , Matt Gilbertson , 2015 single work column
— Appears in: The Advertiser , 25 November 2015; (p. 28)
Convergent Communities : The 2016 Screen Futures Summit Mel Campbell , 2016 single work criticism
— Appears in: Metro Magazine , Spring no. 190 2016; (p. 122-123)
Fish In and Out of Water : The Embodied Aspects of Class and Sport in Barracuda Dion Kagan , 2017 single work essay
— Appears in: Metro Magazine , Summer vol. 191 no. 2017; (p. 34-41)
The ABC adaptation of Christos Tsiolkas' Barracuda may have downplayed some of the novel's explicit queerness, but in its place is an astringent subversion of Australia's glorification of sporting heroism and the white, hetero-masculine ideals tied to it. Moreover, writes Dion Kagan, the narrative's focus on swimming encapsulates the country's deep investment in individualistic social mobility, with the series interrogating societal inequities rooted in class, race, gender and sexuality.
Charting Tsiolkas’s Literary Development through Adaptations Liz Shek-Noble , 2022 single work criticism
— Appears in: Journal of Australian Studies , vol. 46 no. 1 2022; (p. 72-84)

'Christos Tsiolkas has occupied an increasingly central position in the contemporary Australian literary and cultural imagination. Starting with his novel Loaded (1995), Tsiolkas’s fiction engages with subject matter that speaks to his personal experience as both a gay man of Greek heritage and a writer concerned with larger social and political issues affecting a multicultural Australia. Examples of recurring themes in Tsiolkas’s fiction include the irreconcilability of Greek and Australian identity, racial and class intolerance, emergent sexual consciousness, and the conflict between familial obligation and individual expression. In contrast to these arguably “reader-friendly” themes—that is, themes that are accessible to a wide and non-specialist audience—Tsiolkas’s early novels (LoadedThe Jesus Man, 1999; and Dead Europe, 2005) possess a subversive edge in how they explore obscenity and social transgression. However, the publication of Tsiolkas’s fourth novel, The Slap (2008), signalled a new phase in his career, in which the formal rawness of his prose and his uncompromising representation of extreme corporeal states gave way to a simplicity in his written expression that mirrored the growing topicality of his subject matter. This change in purpose mirrors the shift in both the reception of Tsiolkas the writer and of his fiction. Prior to The Slap, Tsiolkas was viewed as a “cult figure” who, though of some critical interest, neither captivated the attention of a mainstream audience nor was celebrated by the literary establishment as an “Australian” writer whose fiction reflected purportedly national interests. However, the critical and commercial success of The Slap has ensured that both Tsiolkas and his subsequent fiction have been (re)cast as pivotal sites of commentary on contemporary Australian class and racial politics. Put another way, Tsiolkas’s “increasing visibility … as a public intellectual, if not a literary celebrity”, has resulted in changes to the form, language and subject matter of his novels, and also the ways critics receive and understand his career.' (Publication abstract)

Last amended 24 Apr 2017 12:38:35
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