Cirrus@Austlit

'Liam Pieper's made some poor life choices, but he's (usually) meant well. He's tried to write important stories, fight racial prejudice and rescue traumatised puppies. And he's ended up with life-threatening infestations, a punch in the face at a Leonard Cohen concert and brief detention by counter-terrorism experts.

'Taking us from Nimbin to US border security to the star-studded Chateau Marmont in LA, these four essays are compelling, insightful and very funny. Mistakes Were Made is about the gap between our ideals in life – of love, compassion, ambition – and how things actually play out.' (Publication summary)

''To live with someone for a long time requires an element of fiction – the selective use of facts to craft an ongoing story.'

'Amid the debris of her friends' relationships, Tess has a marriage that's comparatively unscathed. But she's at a hinge moment, poised between her present life and the one she decided against in her youth. What could she have made of her life had she chosen differently? And what will she risk to find out?

'Deceptively concise, The Girl with the Dogs is a masterful story about life from beginning to end, and about the brief moments of choice that have enduring consequences.' (Publication summary)

'Sofija Stefanovic visits her eighty-year-old friend Bill and suspects he's being scammed over the internet – not for the first time. Compelled by Bill's devastating stories of online dating, heartbreak and bankruptcy, Sofija gets drawn into the underworld of romance scams. Her investigations take her to victims, experts and ultimately to her computer, where she uses a dead relative's photo to set up her own senior's dating profile. In the hope of interviewing a scammer, Sofija wades into murky territory as her lies grow and her online relationships get personal. As she moves through this confusing world, Sofija finds herself confronted by questions about loneliness, love and greed.

'You're Just Too Good To Be True is a sometimes very funny and sometimes desperately poignant investigation into the dark underside of love in the digital age.' (Publication summary)

'Antonia Hayes’ adventures in language began when, as a young child, she was a word sponge, soaking up speech and phrases and the sometimes haunted spaces in between. She became a natural bookworm, turning to the Baby-sitters Club series – those classics of the 90s – to start a lifetime of finding friends and comfort in the pages of a book. When her debut novel, Relativity, was published, she again turned to literature for guidance and consolation, this time in the form of Virginia Woolf’s A Room of One’s Own. 

'Woolf wished for financial independence and a room of one’s own in which to write, but Hayes, writing almost ninety years later, argues here that maybe that isn’t enough. Perhaps women writers need a whole universe of their own. Buoyed by hope and a lifetime of language, Hayes tells us how we can dare to disturb the universe before A Room of One’s Own turns 100. ' (Publication summary)