'Sympathy, understood to be the capacity to suffer with the other, has long been regarded as one of the major vehicles to inspire an ethical communion. By minimizing differences through identification, sympathy helps us resonate with other beings and to exist in relation to them. This thesis examines the ethical endeavors on the vexed question of sympathy in four works by J. M. Coetzee - - The Lives of Animals (1999), Disgrace (1999), Elizabeth Costello (2003) and Slow Man (2005), all of which manifest Coetzee's notable interest in a fully-engaged sympathetic imagination into depraved and deprived human or nonhuman subjects. ' (Thesis summary)
