Peter Krausz Peter Krausz i(8355957 works by)
Gender: Male
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Works By

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1 The Rise of Indigenous Film and Television Peter Krausz , 2013 single work essay
— Appears in: Independent Education , April vol. 43 no. 1 2013; (p. 34)

'With recent multiple awards, including Best Film, presented to The Sapphires at the 2nd annual Australian Academy of Cinema and Television Arts Awards, indications are clear that Indigenous film and television have become popular and more filmmakers and television producers are producing Aboriginal stories.'

Source: Publisher's blurb.

1 They're a Weird Mob Peter Krausz , 2010 extract criticism
— Appears in: Australian Perspectives Essays 2010;
'The tensions of the rich wave of migration to Australia after World War II were satirised and sanitised by the enormously popular adaption of Nino Culotta's (John O'Grady's) comic novel They're a Weird Mob. Using 'strine' as the basis for the satire, the Australian vernacular became a major bone of contention for Italian migrant Nino (played by noted European actor Walter Chiari), who experiences all the highs and lows of Australian culture. The story deals with Chiari, as a sportswriter, visiting Australia to work with his brother, only to find he has absconded leaving a trail of debts. Eventually he is won over by the people of the country, and decides to stay.'(Introduction)
1 The Making of an Australian Western : John Hillcoat and The Proposition Peter Krausz , 2005 single work column
— Appears in: Metro Magazine , no. 146-147 2005; (p. 16-20)
1 Screening Indigenous Australia : An Overview of Indigenous Australia on Film Peter Krausz , 2003 single work criticism
— Appears in: Australian Screen Education Online , Spring no. 32 2003; (p. 90-95)

'In surveying Australian feature film production over the last 100 years, what clearly emerges is a general avoidance of Aboriginal issues and a lack of any balanced representation of Australia’s significant Indigenous population; at least that was the case until recently. Over 1,000 feature films have been produced in Australia, yet I could only identify around fifty films that represent Aborigines in any way at all within the narrative. I need to add, before I present this brief overview, that things are changing, with a number of films recently seeking to redress this imbalance and provide substantial Indigenous storylines. However when we look at the New Zealand film industry, with a number of its most successful films specifically addressing Maori culture and politics—such as Whale Rider and Once Were Warriors—it would seem important to ask the question, when will the Australian film industry explore Indigenous issues in more depth and with greater cultural resonance?'

Source: Opening paragraph.

1 Australian Identity : A Cinematic Roll Call Peter Krausz , 2002 single work criticism
— Appears in: Australian Screen Education Online , no. 29 2002; (p. 24-29)
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