Cirrus@Austlit

'Hansel and Gretel Herrscher survived the witch in the woods, but the experience has made Hansel paranoid for the past ten years. He sees dark magic at every turn. When Gretel has a marriage arranged to a much older man, and Hansel discovers he's about to be sent halfway across the galaxy, he knows something sinister is afoot.

'Wilhelmine Nordon has plenty of experience with Hansel's quirkier side. So when she catches him and Gretel running away in the middle of the night, she follows to keep them from getting killed. The siblings have never left the capital of Mish on their own, so they need a babysitter. Except when she's discovered, Hansel gives her his usual cold shoulder, and Gretel secretly begs her to take them back.

'The problem is, Hansel's paranoia turns out to be well founded, and they're all being hunted.'

Source: Publisher's blurb.

'Why did she have to be so goddamn weird?

Mikey Warrender’s goals are within his grasp. On track for a spectacular swimming career in the last months of his senior year at school, his life seems ideal. A successful Senator father, a pretty, popular sister, and a girlfriend who acts and looks, well, perfect. They’ve had their share of trouble in the form of Mikey’s late twin, but that trouble died with Toby and now things can finally get back on track.

Until Alice England. Mikey couldn’t have been less interested in a friendless undertaker’s daughter who sees strange things and always speaks the truth—until she starts stalking him at school. Alice has reason to believe Tobias Warrender was reluctant to take that fatal dose of crystal meth. What’s more, she insists Mikey is grieving for his twin. Curious, Mikey lets Alice in—just for a moment—and before he knows what’s happening she’s wedged her foot in the door and busted his world wide open.

Alice leads him through a series of discoveries that make him look more closely at his own carefully constructed reality. Innocent yet knowing; kind yet devastatingly honest, Alice effortlessly unravels Mikey Warrender’s falsely safe world—and what really happened to Toby.

Strange Truths is a coming of age detective story that will appeal to adults both young and old(er), especially lovers of classical mystery with a twist.' (Synopsis)

'Apolline is happy hunting magical creatures on her pirate infested outer-perimeter planet. She is a fantastic shot, and doesn’t flinch at the blood and guts of her kills. Never once did she consider she could be the missing Princess of Tyrone.

'All her life, she has heard the story of the Princess, cursed to sleep for eternity, unless her betrothed, the Prince of Oran, gave her true love’s kiss. Although Apolline knows she is betrothed, she thinks her fairy guardians arranged it out of ignorance of human ways. The thought she could be a princess is inconceivable.

'Then Allard appears. Handsome, charming—but he’s not hers to have. He’s betrothed, too. Her guardians warn her against her new found friendship, but she and Allard meet in secret anyway. Despite her rough exterior, he sees beyond her gun-slinging bravado, and their love blossoms.

'But the deadline for the sleeping curse is approaching. If Apolline falls in love with the wrong person, she could end up sleeping forever.

'A quirky, adventurous retelling of Sleeping Beauty, with a less than princess-ly princess!'

Source: Publisher's blurb.

'Tut has grown into his position as Pharaoh, but he is a wild young man. Naomi fears for him, not only because of his recklessness, but because he has put his trust in Ay—the man determined to destroy Naomi—despite her and Horemheb advising against it.

'Meanwhile, death and slavery hang over Naomi and her family. With fear of the booming Hebrew numbers causing talk of enslaving them, conscription is reinstated and Naomi fears for the lives of her other children. Especially since Ay’s children are now adults, and just as dangerous as their father. They threaten to take Itani, conspire against Tut, and pushing for power.

'But Tut is in trouble. While Ay’s daughter draws Horemheb’s attention, and Naomi deals with the struggles of her family, everyone’s distraction could spell death for the young Pharaoh.'

Source: Publisher's blurb.

A trilogy extrapolating the life of Kiya, little-known wife of the pharaoh Akhenaten (Amenhotep IV), once thought to be mother of Tutankhamun.

'Nefertiti has forced Naomi to flee Amarna with Malachi and the three children.

'But even under the protection of Naomi’s family in Thebes, Nefertiti still hunts her and Tut. Nefertiti sends assassins to kill them, and while Naomi fights to protect the children, Malachi fights to keep her safe. With three children in tow, one of which isn’t her own, she is labeled the harlot outcast wife of the pharaoh and is shunned. She isn’t safe among her own people, and flees from being stoned to death.

'Although her family protects her, she must find a way to survive. While Naomi struggles to keep herself and Tut alive, old adversaries return as Smenkhkare takes advantage of Akhenaten’s ailing health. Naomi must rely on Horemheb’s promise to protect Tut’s birthright, but her feelings for Malachi could cause more problems with Horemheb than she expects.'

Source: Publisher's blurb.

'When Naomi’s sisters are snatched up to be taken to be wives of the erratic Pharaoh, Akhenaten, she knows they won’t survive the palace, so she offers herself in their place. The fearsome Commander Horemheb sees her courage, and knows she is exactly what he is looking for…

'The Great Queen Nefertiti despises Naomi instantly, and strips her of her Hebrew lineage, including her name, which is changed to Kiya. Kiya allies herself with Horemheb, who pushes her to greatness and encourages her to make the Pharaoh fall in love with her. When Akhenaten declares Kiya will be the mother of his heir, Nefertiti, furious with jealousy, schemes to destroy Kiya.

'Kiya must play the deadly game carefully. She is in a silent battle of wills, and a struggle for who will one day inherit the crown. If she does bear an heir, she knows she will need to fight to protect him, as well as herself, from Nefertiti who is out for blood.'

Source: Publisher's blurb.