'‘Sheer vicious ingratitude’ – Malcolm Turnbull’s attack on artists boycotting the Biennale of Sydney used a register Overland ought to find encouraging, biting the hand that feeds being one of the tasks and responsibilities for engaged and engaging arts. The experience of art, as Alison Croggon wrote in Overland 212, is ‘lodged inescapably in the body, and it can’t be abstracted without violence’.' (Introduction)