'Harland’s Half-Acre (1985) and The Great World (1991) were composed at a time of increasing worldwide interest in the historical novel, and both works do have potentially historical settings, yet Malouf is more interested in a lyrical treatment of history, which will underscore the risks, the precariousness, of the past rather than just honoring or revering it. These novels, in their affirmation of lived provisionality, are finally not-so-historical.' (Publication abstract)