image of person or book cover 5493705552596556448.jpg
Advertisement, Newcastle Morning Herald and Miners' Advocate, 23 March 1920, p.8
form y separately published work icon Ginger Mick single work   film/TV  
Adaptation of The Moods of Ginger Mick C. J. Dennis , 1916 selected work poetry and Doreen C. J. Dennis , 1917 selected work poetry
Issue Details: First known date: 1920... 1920 Ginger Mick
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AbstractHistoryArchive Description

'[T]he truth, the pathos, and the humor of C. J. Dennis' great poems "The Moods of Ginger Mick" and "Doreen" are presented just as the author imagined it. The story of "Ginger Mick" is told in six reels, and follows the fortunes of "Ginger Mick" through his everyday life, his career as a soldier, and his final glorious ending on Gallipoli. The "Bloke" and "Doreen" also figure largely in the picture'.

Source:

'The Story of "Ginger Mick"', Western Champion, 10 June 1920, p.11.

Exhibitions

7718668
7566463
7562457
7992747
7974092
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Publication Details of Only Known VersionEarliest 2 Known Versions of

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Works about this Work

American Combine : Australasian Films Ltd., and Block Bookings Stephen Gaunson , 2015 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 9 no. 3 2015; (p. 241-252) 'The 1927–1928 Commonwealth Royal Commission on the Moving Picture Industry in Australia followed a series of public inquiries into the Australian cinema. One agenda of the Commission was to examine the dominance of American movies in Australian film exhibition. By concentrating on how the Commission explored this issue, as it related to the exhibition and distribution of Hollywood movies in Australia, here I will consider the extent to which Australian exhibition has been guided by and dependent on American movies. With the Commission established, in part, to explore the accusation of an American combine ruling the exhibition industry, and stunting the local production sector, the real question was whether the Commissioners would be persuaded to make recommendations to wrest the powers from America, and consequently redirect the local exhibition industry's dependence on Hollywood movies.' (Publication abstract)
The Long Shadow of 1927 Ray Edmondson , 2015 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 9 no. 3 2015; (p. 230-240)
The Long Shadow of 1927 Ray Edmondson , 2015 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 9 no. 3 2015; (p. 230-240)
American Combine : Australasian Films Ltd., and Block Bookings Stephen Gaunson , 2015 single work criticism
— Appears in: Studies in Australasian Cinema , vol. 9 no. 3 2015; (p. 241-252) 'The 1927–1928 Commonwealth Royal Commission on the Moving Picture Industry in Australia followed a series of public inquiries into the Australian cinema. One agenda of the Commission was to examine the dominance of American movies in Australian film exhibition. By concentrating on how the Commission explored this issue, as it related to the exhibition and distribution of Hollywood movies in Australia, here I will consider the extent to which Australian exhibition has been guided by and dependent on American movies. With the Commission established, in part, to explore the accusation of an American combine ruling the exhibition industry, and stunting the local production sector, the real question was whether the Commissioners would be persuaded to make recommendations to wrest the powers from America, and consequently redirect the local exhibition industry's dependence on Hollywood movies.' (Publication abstract)
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Last amended 19 Mar 2015 09:10:29
Raymond Longford
Subjects:
Settings:
  • Gallipoli,
    c
    Turkey,
    c
    Middle East, Asia,
  • c
    Australia,
    c
  • ca. 1915
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