Cirrus@Austlit

'Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With his androgynous hero - Eudoxia/Eddie/Eadith Twyborn - and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.' (From the publisher's website.)

'Seven Poor Men of Sydney is a brilliant portrayal of a group of men and women living in Sydney in the 1920s amid conditions of poverty and social turmoil.

Set against the vividly drawn backgrounds of Fisherman's (Watson's) Bay and the innercity slums, the various characters seek to resolve their individual spiritual dilemmas; through politics, religion and philosophy.

Their struggles, their pain and their frustrations are portrayed with consummate skill in this memorable evocation of a city and an era.' (Publication summary)

'Wild Cat Falling is the story of an Aboriginal youth, a 'bodgie' of the early sixties who grows up on the ragged outskirts of a country town, falls into petty crime, goes to gaol, and comes out to do battle once more with the society who put him there. Its publication in 1965 marked a unique literary event, for this was the first novel by any writer of Aboriginal blood to be published in Australia. As well, it is a remarkable piece of literature in its own right, expressing the dilemmas and conflicts of the young Aboriginal in modern Australian society with its memorable insight and stylishness.' (Publication summary)

'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).

'Set in the charming and deadly streets of Melbourne, this vivid and brilliantly plotted murder thriller tells the story of a crime committed by an unknown assassin. With its panoramic depiction of a bustling yet uneasy city, Hansom Cab has a central place in Australian literary history and, more importantly, it remains highly readable. ' (Publication summary)