First produced at the Olympic Theatre, The Strand, London, 25 April 1868.
Performed at the Prince of Wales Opera House, under the title ' Stewart Routh; or, Woman's Devotion', Sydney, October 1868.
Buggins reflects on the change of government in New South Wales before turning his attention to the 'considerable amount of "talk" in literary circles, about the discovery of a new poem, by John Milton.'
Buggins then comments on recent offerings in Sydney theatres: the Prince of Wales Opera House has had a production of John Palgrave Simpson's Stewart Routh; or, Woman's Devotion (aka Black Sheep). In his detailed notes on the production, Buggins concludes: 'I don't remember having seen, even in London, a drama better rendered – particularly as regards the characters sustained by Miss Rosa Cooper and Mr. Hoskins'.
A brief review of the 4 November 1868 Prince of Wales Opera House production of John Palgrave Simpson and Edmund Hodgson Yates's Stewart Routh; or, Woman's Devotion (aka Black Sheep). The writer for the Empire is at a loss to explain why attendances in Sydney are poor when the play is attracting great success in London and Melbourne.
A review of the 2 November 1868 Prince of Wales Opera House production of John Palgrave Simpson and Edmund Hodgson Yates's Stewart Routh; or, Woman's Devotion (aka Black Sheep).
An advertisement for the Prince of Wales Opera House production of the 'new sensation drama, received by the last mail', John Palgrave Simpson and Edmund Hodgson Yates's Stewart Routh; or, Woman's Devotion (aka Black Sheep) and Edward Fitzball's Azael; or, The Prodigal of Memphis on 2, 3, 4, 5 and 6 November 1868.
An advertisement for a performance of William Shakespeare's Macbeth and The Merchant of Venice, together with Charles Selby's farce The Bonnie Fish Wife, at the Prince of Wales Opera House on 31 October 1868.
Also noted is the 2 November 1868 premiere of the 'sensational new drama' Stewart Routh; or, Woman's Devotion (produced in England under the title Black Sheep), written by John Palgrave Simpson and Edmund Hodgson Yates.
A review of the 2 November 1868 Prince of Wales Opera House production of John Palgrave Simpson and Edmund Hodgson Yates's Stewart Routh; or, Woman's Devotion (aka Black Sheep).
A brief review of the 4 November 1868 Prince of Wales Opera House production of John Palgrave Simpson and Edmund Hodgson Yates's Stewart Routh; or, Woman's Devotion (aka Black Sheep). The writer for the Empire is at a loss to explain why attendances in Sydney are poor when the play is attracting great success in London and Melbourne.
An advertisement for a performance of William Shakespeare's Macbeth and The Merchant of Venice, together with Charles Selby's farce The Bonnie Fish Wife, at the Prince of Wales Opera House on 31 October 1868.
Also noted is the 2 November 1868 premiere of the 'sensational new drama' Stewart Routh; or, Woman's Devotion (produced in England under the title Black Sheep), written by John Palgrave Simpson and Edmund Hodgson Yates.
An advertisement for the Prince of Wales Opera House production of the 'new sensation drama, received by the last mail', John Palgrave Simpson and Edmund Hodgson Yates's Stewart Routh; or, Woman's Devotion (aka Black Sheep) and Edward Fitzball's Azael; or, The Prodigal of Memphis on 2, 3, 4, 5 and 6 November 1868.
Buggins reflects on the change of government in New South Wales before turning his attention to the 'considerable amount of "talk" in literary circles, about the discovery of a new poem, by John Milton.'
Buggins then comments on recent offerings in Sydney theatres: the Prince of Wales Opera House has had a production of John Palgrave Simpson's Stewart Routh; or, Woman's Devotion (aka Black Sheep). In his detailed notes on the production, Buggins concludes: 'I don't remember having seen, even in London, a drama better rendered – particularly as regards the characters sustained by Miss Rosa Cooper and Mr. Hoskins'.