Issue Details: First known date: 2013... 2013 Self-Propagation and Self-Dissolution : The Paradox of Patrick White's Flaws in the Glass
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

Gregory Graham-Smith's aim in this article 'is to examine the way in which Patrick White's acts of self-inscription in Flaws in the Glass, despite being rendered as acts, structured within the trope of theatricality, ultimately serve the homeostasis of conventional humanist portraiture, rather than the subversive fragmentation of the self which one finds in his novels. Of particular concern are the ways in which this self-propagation/-dissolution relates to White's perception of himself as homosexual and artist, and how these roles relate tot he sometimes disturbing ambivalences which a critique of his autobiography reveals. This essay is written within the context of a renewed interest in the work of the Nobel Laureate.' (72)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 29 Apr 2014 11:53:11
72-83 Self-Propagation and Self-Dissolution : The Paradox of Patrick White's Flaws in the Glasssmall AustLit logo Australian Literary Studies
Newspapers:
    Powered by Trove
    X