y separately published work icon The Saturday Paper newspaper  
Note:

(2014-2018)

Note:

(2018-present)

Issue Details: First known date: 2014... 2014 The Saturday Paper
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 2014

Works about this Work

y separately published work icon At Home with Rick Morton Astrid Edwards (interviewer), 2021 23450928 2021 single work podcast interview

'Rick Morton, author of the acclaimed memoir One Hundred Years of Dirt, was diagnosed with complex post-traumatic stress disorder in 2019. His second - dare we say exquisite - memoir My Year of Living Vulnerably explores not only complex PTSD, but also love, history and forgiveness.

'Rick has been a journalist for more than 15 years. He was a social affairs writer for The Australian, and he is now a senior reporter for the Saturday Paper. Rick regularly appears on television, radio and panels discussing politics, the media, writing and social policy.' (Production introduction)

Whose Byline Is It Anyway? Emmett Stinson , 2019 single work column
— Appears in: Kill Your Darlings [Online] , January 2019;

'With The Saturday Paper’s controversial experiment with pseudonymous book reviews coming to an end, what have we learned?' (Introduction)

Closing the Book on Anonymity Michael Nolan , 2018 single work essay
— Appears in: The Saturday Paper , 22 December - 25 January 2018-2019;

'When The Saturday Paper launched in March 2014, we chose to experiment with publishing book reviews anonymously. As with everything else, we wanted to test the orthodoxy of our culture. More correctly, these reviews have been pseudonymous, with writers retaining a consistent set of initials. We wondered, in light of the country’s highly concentrated literary community, if bylined reviewers – particularly when authors themselves – could be candid in their assessment of others’ work when faced with frequent professional and personal contact. Were reviewers pulling their punches so as to avoid awkward encounters with publishers or fellow panellists at writers festivals? Were we missing out on the expertise of writers shy of such discomfort? Were we missing honest assessments of new writers, in the interests of being supportive, or established writers, in the interests of not challenging the reputational status quo? And does anything say “cosy scene” like being unsure of whether to give a review credence if you don’t know the identity of the person who wrote it?' (Introduction)

True Believers Sybil Nolan , 2014 single work
— Appears in: Inside Story , May 2014;
True Believers Sybil Nolan , 2014 single work review
— Appears in: Inside Story , May 2014;

— Review of The Saturday Paper 2014 newspaper (452 issues)

'The Saturday Paper displays both the strengths and limitations of a primarily print-based publication, writes Sybil Nolan'

True Believers Sybil Nolan , 2014 single work review
— Appears in: Inside Story , May 2014;

— Review of The Saturday Paper 2014 newspaper (452 issues)

'The Saturday Paper displays both the strengths and limitations of a primarily print-based publication, writes Sybil Nolan'

True Believers Sybil Nolan , 2014 single work
— Appears in: Inside Story , May 2014;
Closing the Book on Anonymity Michael Nolan , 2018 single work essay
— Appears in: The Saturday Paper , 22 December - 25 January 2018-2019;

'When The Saturday Paper launched in March 2014, we chose to experiment with publishing book reviews anonymously. As with everything else, we wanted to test the orthodoxy of our culture. More correctly, these reviews have been pseudonymous, with writers retaining a consistent set of initials. We wondered, in light of the country’s highly concentrated literary community, if bylined reviewers – particularly when authors themselves – could be candid in their assessment of others’ work when faced with frequent professional and personal contact. Were reviewers pulling their punches so as to avoid awkward encounters with publishers or fellow panellists at writers festivals? Were we missing out on the expertise of writers shy of such discomfort? Were we missing honest assessments of new writers, in the interests of being supportive, or established writers, in the interests of not challenging the reputational status quo? And does anything say “cosy scene” like being unsure of whether to give a review credence if you don’t know the identity of the person who wrote it?' (Introduction)

Whose Byline Is It Anyway? Emmett Stinson , 2019 single work column
— Appears in: Kill Your Darlings [Online] , January 2019;

'With The Saturday Paper’s controversial experiment with pseudonymous book reviews coming to an end, what have we learned?' (Introduction)

y separately published work icon At Home with Rick Morton Astrid Edwards (interviewer), 2021 23450928 2021 single work podcast interview

'Rick Morton, author of the acclaimed memoir One Hundred Years of Dirt, was diagnosed with complex post-traumatic stress disorder in 2019. His second - dare we say exquisite - memoir My Year of Living Vulnerably explores not only complex PTSD, but also love, history and forgiveness.

'Rick has been a journalist for more than 15 years. He was a social affairs writer for The Australian, and he is now a senior reporter for the Saturday Paper. Rick regularly appears on television, radio and panels discussing politics, the media, writing and social policy.' (Production introduction)

Last amended 18 Jun 2018 09:15:12
Newspapers:
    Powered by Trove
    X