First produced at Theatre Royal, Covent Garden, London, England 8 May 1823.
[Source: Nicoll, Allardyce. A History of English Drama 1660-1900 Cambridge: Cambridge University Press, 1966]
Performed at the Royal Victoria Theatre, Sydney, July 1838; and at the Prince of Wales Opera House, Sydney, November 1868.
Buggins replies to J. Sheridan Moore's explanation of his (Moore's) 'awkward' lecture delivery manner. Buggins reasserts his view that Moore was 'out of his depth' in the subject matter and goes on to provide a (not very flattering) overview of Moore's literary career.
Buggins then turns his attention to the theatre. He despairs at the low attendances at the Prince of Wales Opera House and is 'surprised that Messrs Dind and Hoskins have kept the theatre open so long'. Buggins hopes that with the Christmas season approaching, 'the antics of Clown and Pantaloon, in Pantomime may prove more remunerative than legitimate business has hitherto done'.
Buggins praises the 'clever little actress' Kate Corcoran; comments on the production of John Howard Payne's Clari; or, The Maid of Milan and of La Sonnambula; and notes the performances of Madame Anna Bishop at the Masonic Hall.
An advertisement for the Prince of Wales Opera House production of La Sonnambula and of John Howard Payne's Clari; or, The Maid of Milan on 24 November 1868.
An advertisement for a performances of Clari; or, The Maid of Milan and The Death Token at the Royal Victoria Theatre, Sydney, New South Wales, on 10 July 1838.
The advertisement notes: 'First appearance of Mr. Fenton. The Public is most respectfully informed that Mr Fenton, from the Theatre Royal, Hobart Town, is engaged at this Theatre, and will make his first appearance here in the character of "Rolamo."'
Advertisement for a performance at the Royal Victoria Theatre, Sydney, on 29 December 1838 of the 'Drama of Clari' and the 'favorite Melo-Drama called The Brigand'.
An advertisement for a performances of Clari; or, The Maid of Milan and The Death Token at the Royal Victoria Theatre, Sydney, New South Wales, on 10 July 1838.
The advertisement notes: 'First appearance of Mr. Fenton. The Public is most respectfully informed that Mr Fenton, from the Theatre Royal, Hobart Town, is engaged at this Theatre, and will make his first appearance here in the character of "Rolamo."'
An advertisement for the Prince of Wales Opera House production of La Sonnambula and of John Howard Payne's Clari; or, The Maid of Milan on 24 November 1868.
Advertisement for a performance at the Royal Victoria Theatre, Sydney, on 29 December 1838 of the 'Drama of Clari' and the 'favorite Melo-Drama called The Brigand'.
Buggins replies to J. Sheridan Moore's explanation of his (Moore's) 'awkward' lecture delivery manner. Buggins reasserts his view that Moore was 'out of his depth' in the subject matter and goes on to provide a (not very flattering) overview of Moore's literary career.
Buggins then turns his attention to the theatre. He despairs at the low attendances at the Prince of Wales Opera House and is 'surprised that Messrs Dind and Hoskins have kept the theatre open so long'. Buggins hopes that with the Christmas season approaching, 'the antics of Clown and Pantaloon, in Pantomime may prove more remunerative than legitimate business has hitherto done'.
Buggins praises the 'clever little actress' Kate Corcoran; comments on the production of John Howard Payne's Clari; or, The Maid of Milan and of La Sonnambula; and notes the performances of Madame Anna Bishop at the Masonic Hall.