Cirrus@Austlit

'Anam is a novel about memory and inheritance, colonialism and belonging, home and exile.

'A grandson tries to learn the family story. But what kind of story is it? Is it a prison memoir, about the grandfather imprisoned without charge or trial by a revolutionary government? Is it an oral history of the grandmother left behind to look after the children? Or is it a love story, or a detective tale?

'Moving from 1930s Hanoi through a series of never-ending wars and displacements to Saigon, Paris, Melbourne and Cambridge, Anam is a novel about memory and inheritance, colonialism and belonging, home and exile.

'Andre Dao mines his family and personal stories to turnover ideas that resonate with all of us around place and home, family legacy and expectations, ambition and sacrifice.

'Anam blends fiction and essay, theory and everyday life to imagine that which has been repressed, left out, and forgotten by archives and by families. As the grandson sifts through letters, photographs, government documents and memories, he has his own family to think about- a partner and an infant daughter. Is there a way to remember the past that creates a future for them as well? Or does coming home always involve a certain amount of forgetting?' (Publication summary)

'A deeply personal, profound tribute to family and the Gudanji Country to which Debra Dank belongs.

'We Come with This Place is a remarkable book, as rich, varied and surprising as the vast landscape in which it is set. Debra Dank has created an extraordinary mosaic of vivid episodes that move about in time and place to tell an unforgettable story of country and people.

'There is great pain in these pages, and anger at injustice, but also great love, in marriage and in family, and for the land. Dank faces head on the ingrained racism, born of brutal practice and harsh legislation, that lies always under the skin of Australia, the racism that calls a little Aboriginal girl names and beats and rapes and disenfranchises the generations before hers. She describes sudden terrible violence, between races and sometimes at home. But overwhelmingly this is a book about strong, beloved parents and grandparents, guiding and teaching their children and grandchildren what country means, about joyful gatherings and the pleasures of eating food provided by the place that nourishes them, both spiritually and physically.

'Dank calibrates human emotions with honesty and insight, and there is plenty of dry, down-to-earth humour. You can feel and smell and see the puffs of dust under moving feet, the ever-present burning heat, the bright exuberance of a night-time campfire, the emerald flash of a flock of budgerigars, the journeying wind, the harshness of a station shanty, the welcome scent of fresh water.

'We Come with This Place is deeply personal, a profound tribute to family and the Gudanji Country to which Debra Dank belongs, but it is much more than that. Here is Australia as it has been for countless generations, land and people in effortless balance, and Australia as it became, but also Australia as it could and should be.'  (Publication summary)

'Dark and dangerous, brilliantly unsettling and chillingly funny, this extraordinary debut shows us what we usually deny – the uneasy truce we make with our ruthless desires and gothic fears, and how easily it can be broken. Prize-winning author Chloe Wilson’s stories will pin you to the page.

'First published in Granta Magazine, the title story takes us into the cold war of a contemporary family: a missile-making mother doubts her husband’s guts and the steel of her son, until a playground incident escalates and brings them into the most surprising of alliances.

'Needle sharp, effortlessly surprising and beautifully controlled, every story is transfixing. A young couple move into a house in which there’s been a recent murder, and fall under the spell of their peculiar, commanding neighbours. Two sisters are determined to detoxify themselves into perfection. A diver pushes herself and those around her to higher and higher jumps.

'Interspersed with these transfixing tales are lightning strikes of flash fiction: we glimpse a leopard in the apartment next door; plants grown out of a strange and miraculous soil; the spirit of a girl who’s been thrown down a well. At each turn, Chloe Wilson offers a unique insight, a tear in the veil of our comfortable moral certainties.

'Hold Your Fire exposes the battles we wage beneath the surface.'

Source : publisher's blurb

'HETTY and Ness have been best friends since childhood. Hetty is captivating, the life of the party. Ness is a wallflower, hopelessly in love with her.

'Leaving Melbourne to live abroad, they take a room in a share house of creatives in Toronto’s student quarter. Hetty disappears into barkeeping and nightlife, while Ness drifts aimlessly.

'But when Ness finds Faith in the art gallery, an intense affair develops. With friends and a job, at last her life starts to make sense. And Hetty’s starts to fall apart, a mess of bad drugs and bad men.

'As winter freezes the lakeside city, the dark undercurrents of Hetty’s character—abusive relationships, dangerous obsessions—become stronger. Ness may lose the person she loves more than anyone else in the world.

'Cherry Beach is a revelatory and beautifully written story of friendship and desire.'

Source: Publisher's blurb.

'This is a story of a friendship so connected that without it one is not whole but lost.

'Middle-class, clever and white, Nick is a child of privilege while his best friend Andie is the daughter of Indo-Chinese refugees. Despite their very different backgrounds, they share a conviction they can change the world for the better.

'At the outset, Nick is pushing papers in a dead-end job while Andie is embarking on a secular crusade against world poverty. This generates conflict with her white husband Benjamin, who feels that Australians should come first. Meanwhile, Andie’s cousin, the teenage Tony is burdened by his parents’ traumatic past and impossible expectations. To their dismay, he finds solace in  radical faith.

'S.L. Lim acutely captures the dreams and disaffections of a millennial generation. Real Differences is an emotionally resonant novel about idealism, ethical ambition, and love, filled with unforgettable characters. It ultimately asks us the most important question of all: What is our life for?'

Source: Publisher's blurb.