Film adaptation of Dion Boucicault's popular stage melodrama.
First produced at Laura Keene's Theatre, New York, 28 March 1860. First produced in the United Kingdom at the Adelphi Theatre, The Strand, London, 10 September 1860.
Performed at the Theatre Royal, Melbourne, March 1868.
Performed (in an amateur production) at the Royal Victoria Theatre, Sydney, July 1868.
A review of the March 1868 production of Dion Boucicault's Collen Bawn at the Theatre Royal and W. B. Gill's Red Island at the Princess's Theatre. Francis Cowley Burnand's Acis and Galatea is also mentioned; it was being produced simultaneously at the Theatre Royal and at the Princess's Theatre.
Jaques also notes other theatrical happenings in Melbourne and records news of the death of English actor Charles Kean who had performed on the Melbourne stage in 1863.
Buggins begins his weekly article with a reflection on the 'reckless drivers and mad headed riders' travelling along Sydney's George Street each day and endangering the public. He also addresses the subjects of snakes and of suicide.
Buggins then reports on a speech given by Sir Alfred Stephen in support of the Sydney Female Refuge. At the conclusion of Stephen's speech, the Bishop of Sydney addressed the gathering. The bishop attributed the careers of 'young thieves' to the reading of tales about Jack Shepherd and Dick Turpin and the careers of 'young prostitutes' to reading the 'bigamous and adulterous novels that disgrace our modern literature'.
Buggins's final topic is the recent crop of theatre offerings in Sydney. He comments briefly on the Royal Victoria Theatre's production of Charles Dickens and Wilkie Collins's No Thoroughfare and on an amateur production of Dion Bouicault's Colleen Bawn; or, The Brides of Garryowen. Buggins notes that Walter Cooper, author of Colonial Experience, will 'take a benefit' at the Victoria in the coming week.
An advertisement for the Royal Victoria Theatre production of Sixteen String Jack and of Dion Boucicault's Colleen Bawn on 8 August 1868, and for the upcoming production of [Charles Webb's] Belphegor, the Mountebank; or, Woman's Constancy and James Robinson Planche's The Loan of a Lover.
A review of the 9 July 1868 Prince of Wales Opera House amateur production of Dion Bouciault's Colleen Bawn.
A review of the March 1868 production of Dion Boucicault's Collen Bawn at the Theatre Royal and W. B. Gill's Red Island at the Princess's Theatre. Francis Cowley Burnand's Acis and Galatea is also mentioned; it was being produced simultaneously at the Theatre Royal and at the Princess's Theatre.
Jaques also notes other theatrical happenings in Melbourne and records news of the death of English actor Charles Kean who had performed on the Melbourne stage in 1863.
An advertisement for the Royal Victoria Theatre production of Dion Boucicault's Colleen Bawn and James Pilgrim's The Limerick Boy on 9 July 1868. The evening's performance was a benefit for the House of the Good Shepherd.
An advertisement for the Royal Victoria Theatre production of Sixteen String Jack and of Dion Boucicault's Colleen Bawn on 8 August 1868, and for the upcoming production of [Charles Webb's] Belphegor, the Mountebank; or, Woman's Constancy and James Robinson Planche's The Loan of a Lover.
Buggins begins his weekly article with a reflection on the 'reckless drivers and mad headed riders' travelling along Sydney's George Street each day and endangering the public. He also addresses the subjects of snakes and of suicide.
Buggins then reports on a speech given by Sir Alfred Stephen in support of the Sydney Female Refuge. At the conclusion of Stephen's speech, the Bishop of Sydney addressed the gathering. The bishop attributed the careers of 'young thieves' to the reading of tales about Jack Shepherd and Dick Turpin and the careers of 'young prostitutes' to reading the 'bigamous and adulterous novels that disgrace our modern literature'.
Buggins's final topic is the recent crop of theatre offerings in Sydney. He comments briefly on the Royal Victoria Theatre's production of Charles Dickens and Wilkie Collins's No Thoroughfare and on an amateur production of Dion Bouicault's Colleen Bawn; or, The Brides of Garryowen. Buggins notes that Walter Cooper, author of Colonial Experience, will 'take a benefit' at the Victoria in the coming week.