Madeleine Watts Madeleine Watts i(7069606 works by)
Born: Established: Sydney, New South Wales, ;
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 y separately published work icon Elegy, Southwest Madeleine Watts , New York (City) : Simon and Schuster , 2025 28533497 2025 single work novel

'Eloise and Lewis rent a car in Las Vegas and take off on a two-week road trip across the American Southwest. While wildfires rage, the couple trace the course of the Colorado River, the aquatic artery on which the Southwest depends for survival. Eloise, an academic, researches the Colorado River as it threatens to run dry, while Lewis grieves his mother and struggles to find a place for himself in the desert where he never felt quite at home.

'Together they cruise past gaping canyons, blinking motels and lonely stretches of wilderness, trying to understand this uncanny landscape where Geogia O'Keeffe built her home and avant-garde artists dig mysterious installations in the sand. When Eloise begins to suspect she might be pregnant, she hopes to turn Lewis's attention from the past to the future, but their relationship continues to fracture as they head towards a destination unknown.

'Elegy, Southwest is a novel which entwines a tragic love story with an intelligent and profound consideration of the way we now live alongside environmental breakdown; an elegy for lost love and for the landscape that makes us.'

Source: Publisher's blurb (Pushkin Press).

1 Australian Capitol Territory Madeleine Watts , 2022 single work short story
— Appears in: Heat (Series 3) , no. 3 2022; (p. 9-27)
1 Unaccompanied Minor : Growing up in Between Madeleine Watts , 2021 single work autobiography
— Appears in: Griffith Review , no. 74 2021; (p. 41-50)
2 5 y separately published work icon The Inland Sea Madeleine Watts , London : Pushkin Press , 2020 18268137 2020 single work novel

'In the early 19th century, British explorer John Oxley traversed the then-unknown wilderness of central Australia in search of water. Two centuries later, his great-great-great-great granddaughter spends a final year in Sydney reeling from her own self-destructive obsessions. Reckless and adrift, she prepares to leave. Written with down-to-earth lucidity and ethereal breeziness, this is an unforgettable debut about coming of age in a world that seems increasingly hostile. Watts explores feminine fear, apathy and danger, building to a tightly controlled bushfire of ecological and personal crisis.'

Source: Publisher's blurb.

1 Leave No Trace Madeleine Watts , 2019 single work essay
— Appears in: The Believer , 1 April no. 124 2019;
1 Sydney Takes Shape : Re-reading Christina Stead's 'For Love Alone' Madeleine Watts , 2015 single work essay
— Appears in: Meanjin , December vol. 74 no. 4 2015; (p. 64-70)
'The shape of the city is hazy. From above, Sydney looks like somebody spilled ink on a map, let the rivulets run and shrugged when the mess began to dry, saying 'fine, that can be Sydney'. The way it actually happened wasn't so different. The city was first a prison, not a place. Roads were built with no logic or forethought. The city sprang up hastily, and it was too hot and too hard ever to go back and try to make sense of it. The roads are thin and winding. They adhere to no grid. The tree roots splinter the bitumen. Sensible-seeming routes peter out into dead ends and one-way streets.' (Abstract)
1 Afraid of Waking It Madeleine Watts , 2015 single work novella
— Appears in: Griffith Review , October no. 50 2015; (p. 58-106) The Drover's Wife : A Celebration of a Great Australian Love Affair 2017; (p. 129-195)

'He set the camera up by the wall in the space he used as his studio. It was one of the many rooms in the too-big house he didn't need. It was mostly empty - the wallpaper left to peel away from the walls, the plaster to crack and the dust left undusted. In the light that came in elongated grids through the barred windows I watched him move around the room beneath me, holding up the light meter to gauge the exposures...' (Publication abstract)

1 Contending with a Blank Page Madeleine Watts , 2015 single work interview
— Appears in: Griffith Review , no. 47 2015; (p. 105-115)

'Tim Winton is arguably Australia's most widely read contemporary novelist. His books have been translated into eighteen languages, adapted for television, stage and film, and won him Australia's most prestigious literary award - the Miles Franklin Award - four times. In 2013, Winton published his eleventh novel, Eyrie (Penguin, 2013). The book follows Tom Keely, a man who spends his days alone in a stuffy flat of a tan-brick apartment block in the middle of Fremantle, unemployed, disgraced, divorced, gradually drinking himself into oblivion. His solitude is disrupted by a meeting with his neighbour, Gemma - a woman he hasn't seen since she was a little girl from the end of the street, running away from chaos at home. Gemma and her grandson, Kai, force Keely into an entanglement with ugly, difficult things. The book, at once a personal story, is also a harsh reflection of Western Australia during the mining boom and the changes it wrought to the state's cultural and political priorities. In this interview, from different sides of the world, Winton discusses Eyrie, the importance of Western Australia in his work and the relationship between the popular and the literary in Australian publishing.' (Publication abstract)

1 Finally, Poetic Justice for Our Unrivalled Secret Streets Madeleine Watts , 2014 single work review
— Appears in: The Sun-Herald , 23 February 2014; (p. 13) The Sunday Age , 23 February 2014; (p. 13)

— Review of An Elegant Young Man Luke Carman , 2013 selected work short story
X