First produced at the Theatre Royal, Haymarket, London, 15 October 1839. (Source: Nicoll, Allardyce. A History of English Drama 1660-1900. Cambridge: Cambridge University Press, 1966.)
Performed at the Prince of Wales Opera House, Sydney, February and December 1868, and in an amateur performance at the Odd Fellows Hall, Newtown, Sydney, 8 July 1868.
Performed at the Theatre Royal, Melbourne, July-August 1868.
'Our Letter Home' includes information on a range of political and social matters. The writer for the Australasian comments that 'matters theatrical and musical' are not in a 'flourishing condition', but he still reports in some detail on productions at the Theatre Royal (the Nathan Juvenile Troupe and performances of His Last Legs and Leah) and notes that 'the fortunes of the other two houses [The Duke of Edinburgh Theatre and the Princess's Theatre] are uncertain'.
A review of an amateur dramatic performance held in 'the Hall of the Sacred Heart, for the benefit of the Christian Doctrine Society attached to the Church. The pieces selected were O'Callaghan on His Last Legs and Twenty Minutes with a Tiger.'
An advertisement for the Prince of Wales Opera House production of Walter Cooper's Colonial Experience and William Bernard's His Last Legs on 15 December 1868. The evening's performance is a 'farewell benefit of [actor] Mr W. Andrews, prior to his departure for Melbourne'.
A brief column noting the 27 August 1868 Prince of Wales Opera House production of George Henry Lewes's The Game of Speculation and William Bayle Bernard's His Last Legs. The performance was a benefit for the Oddfellows' Hall Building Fund, but the Empire reports that while 'the performances were good, ... the attendance was bad'.
An advertisement for the Prince of Wales Opera House production of John Robinson Planche's Not a Bad Judge and William Bayle Bernard's His Last Legs on 14 February 1868.
A short column noting the 14 February 1868 production at the Prince of Wales Opera House of William Bayle Bernard's His Last Legs and James Robinson Plance's Not a Bad Judge. H. R. H. Prince Alfred was in attendance.
An advertisement for the Prince of Wales Opera House production of John Brougham's The Irish Emigrant, Thomas Hailes Lacy's A Silent Woman and William Bayle Bernard's His Last Legs on 17 March 1868.
The advertisement also includes advance notice of Mr Hoskins's benefit on 19 March 1868, his 'last appearance but two, when will be presented The Poor Gentleman ... [and] The Artful Dodge'.
An advertisement for the Prince of Wales Opera House production of George Henry Lewes's The Game of Speculation and William Bayle Bernard's His Last Legs on 27 August 1868. The performance is a benefit for the Oddfellows' Hall Building Fund.
A brief column noting the 27 August 1868 Prince of Wales Opera House production of George Henry Lewes's The Game of Speculation and William Bayle Bernard's His Last Legs. The performance was a benefit for the Oddfellows' Hall Building Fund, but the Empire reports that while 'the performances were good, ... the attendance was bad'.