Naomi Parry Naomi Parry i(6954137 works by)
Gender: Female
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Works By

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1 A Shadow from Country Naomi Parry , 2021 single work essay
— Appears in: Island , no. 162 2021; (p. 20-27) Island Online - 2021 2021;
'I'm sitting in an office in the State Library of New South Wales with my friend Melissa Jackson, a Bundjalung woman and Indigenous Librarian. It's a sunny January afternoon in 2021 and it's her first day back in the library after the Covid-19 closures hit the previous March. I've been researching the Gai-marigal warrior Musquito since 2003 and today we are looking for a name list that I have heard about, which is supposed to tell a story of the time he was exiled from Sydney to Norfolk Island. We go through indexes and bibliographies and footnotes without finding anything. Then Melissa flicks through the computer catalogue and pulls up an image. It's a seraphic face, illuminated in the computer's glow.'' (Introduction)
1 [Review Essay] : A Tear in the Soul Naomi Parry , 2017 single work essay
— Appears in: Journal of Australian Studies , May vol. 41 no. 2 2017; (p. 273-274)
'A Tear in the Soul is an ambitious book. Amanda Webster, born into a family of Kalgoorlie doctors and a doctor herself, is challenged about Australian racism at an elite writers’ retreat in Hawaii, so sets forth from the exceedingly comfortable surroundings of her eastern Australian homes (plural) to confront the racism she grew up with and reconnect with the mission kids she played with at primary school. The result is a book that is partly memoir, partly exposé of unconscious privilege, partly a means to personal reconciliation. The title comes from Webster’s realisation that hurting others causes “a tear in the soul that allows the essence of one’s humanity to leak out” (112) and that she belongs to a group that has caused such a wound.' (Introduction)
1 'Many Deeds of Error': Response to Windschuttle's Defence of His View of Musquito Naomi Parry , 2004 single work criticism
— Appears in: Labour History , no. 87 2004; (p. 236-238)

A response to Windschuttle's criticism about the writings on Mosquito is presented. It is argued that Windschuttle in his criticism has failed to identify the Mosquito that is actually spoken about and it is said that historian's work revolves around interpreting the evidence, which lead to such different understandings.

1 [Review Essay] The Black Grapevine: Aboriginal Activism and the Stolen Generations Naomi Parry , 2004 single work essay
— Appears in: Australian Aboriginal Studies , no. 2 2004; (p. 112)

'This is a handsome little book that purports to tell a big story, about the work of the Secretariat of National Aboriginal and Islander Child Care Agencies. The issue of the removal of Aboriginal and Torres Strait Islander children from their families is now well known, but the role of Indigenous peoples in publicising it, and changing government policy, has received little attention. This is a history of that activism, and therefore promises to provide both a corrective to white-written histories of the Stolen Generations, and an activists’ resource book. It is unique, gaining considerable significance from the author’s own history of activism in this field, and her close associations with many of the people interviewed for the book.' (Introduction)

1 'Many Deeds of Terror': Windschuttle and Musquito Naomi Parry , 2003 single work criticism
— Appears in: Labour History , November no. 85 2003; (p. 207-212)

'Naomi Parry suggest that Keith Windschuttle has presented The Fabrication of Aboriginal History as ‘the most exhaustive study that’s ever been done’. Yet within its pages are many examples of errors and misrepresentations that cast doubt on his management of colonial source material.'

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