Cirrus@Austlit

'Memoir, poetry, probing essay-style musings and competing inner voices exist side-by-side in Ellena Savage’s Blueberries, a bold and incisive collection of experimental non-fiction.' (Introduction)

'The Artist’s Portrait by Julie Keys, is not an easy novel to categorise. It’s not exactly a page turner but it simmers along with a slow sense of intrigue. It’s not quite a murder mystery, not quite drama, not quite historical fiction. Its switching perspectives and the knowledge that a key protagonist is self-editing her history make it a challenging but rewarding read. Not all is as it seem, facts are not immutable and character motivations are far from clear-cut. The novel is a debut for Keys, a writer from the Illawarra region on the NSW South Coast, who has worked as a tutor, registered nurse, youth worker and clinical trials coordinator before a nasty car accident motivated her to swap her career for full-time writing. Whilst conducting research for a PhD in Creative Arts, Keys has delved into gender and prestige for Australian writers.(1) The Artist’s Portrait was shortlisted for the Richell Prize for Emerging Writers in 2017, under its then-title, Triptych.' (Introduction) 

'Two strangers from completely different backgrounds with seemingly little in common thrown together, it’s a common enough set up for a novel. But in Room for A Stranger, Melanie Cheng uses that premise exceptionally well to create an undeniably pleasurable read, rich in texture and feeling.' (Introduction)