'Andrew Cobham is a man of unconventional behaviour, his home is unusually grand, and he answers no questions. But as he keeps his own secrets safe, so he works to uncover those of others.
'It is 1483 and King Edward IV wears England’s crown, but no king rules unchallenged. Often it is those closest to him who are the unexpected danger. When the king dies suddenly without clear cause, then rumour replaces fact – and Andrew Cobham is already working behind the scenes.
'Tyballis, when orphaned young, was forced into marriage with her neighbour, a bully and a simpleton. When she escapes his abuse, she meets Andrew Cobham, and gradually an uneasy alliance forms. Their friendship will take them in unusual directions as Tyballis becomes embroiled in Andrew’s work and the danger which surrounds him.' (Publication summary)
'Some novelists are attracted to historical fiction for the opportunity to write about queens and dukes and lords and ladies sashaying around grand
castles. But it’s the ordinary people of history and an empathy for their crushingly difficult lives that attracted Barbara Gaskell Denvil to the genre. She talks to Tim Graham about turning historic sites into theme parks, how Shakespeare was her portal into history and her deep appreciation for how difficult life was for the average English person half a millennium ago.' (26)
'Some novelists are attracted to historical fiction for the opportunity to write about queens and dukes and lords and ladies sashaying around grand
castles. But it’s the ordinary people of history and an empathy for their crushingly difficult lives that attracted Barbara Gaskell Denvil to the genre. She talks to Tim Graham about turning historic sites into theme parks, how Shakespeare was her portal into history and her deep appreciation for how difficult life was for the average English person half a millennium ago.' (26)
