Cirrus@Austlit

'THE HUNTING intimately and dramatically imagines the lives of four teenagers, their teachers and their families throughout the lead up, revelation and aftermath of a nude teen photo scandal. When two high school teachers discover students are sharing explicit photos of their underage friends and peers online, the revelation has unbearable consequences for their students and their families. Tackling themes of misogyny, privacy, sexuality and sexualisation, online exploitation, masculinity and gender, the series uses this singular event as a way of exploring some of the most pressing issues of our time and offering a vital portrait of contemporary, multicultural Australia.'

Source: Publisher's blurb.

'The Hunt delves into one of the biggest issues of the social media era - cyberbullying. The new drama series intimately imagines the lives of four teenagers, their friends, their families, their teachers, their communities during the lead up, revelation, and aftermath of a nude photo sharing scandal. Produced with funding from Screen Australia, and using teenagers and non-actors to tell the story, it is the kind of provocative local drama that only SBS would make.'

Source: SBS (https://www.sbs.com.au/guide/article/2018/11/19/sbs-2019-home-new-australian-dramas-best-international-series-and-returning). (Sighted: 22/11/2018)

A comedy drama told from six different perspectives of a family who reunite in Adelaide when mum plans to sell the family home. Any sense of togetherness quickly crumbles to reveal how f**ked and glorious it is to be home.

'16-year-old Billie's reluctant path to independence is accelerated when her mother reveals plans to gender transition and their time together becomes limited to Tuesday afternoons. Filmed over the course of a year, once a week, every week - only on Tuesdays - these unique filmmaking rules bring a rare authenticity to this emotionally charged exploration of desire, responsibility and transformation.'

"Meredith has elephantiasis. That is, a burden of elephants. For years her neighbours, friends, family and students have been offering up stuffed, marble, magnetised elephants, even elephant shaped waffle makers, tea cups and pens. But you see, Meredith doesn’t even like elephants. She could have mentioned this, of course, but she knows that this imagined fondness of hers for elephants is proof of her jolliness, a huge joke against herself, and she knows that a jolly fat woman without jolliness is left with only one adjective. When a marriage proposal from the one person she hoped would understand her goes horribly wrong, Meredith is forced to confront her Elephantiasis. Can she break free from her social politeness and let her friends know who she really is?"

Source: South Australia Made Showcase. 

"The final night of Mark and Jeremy’s relationship, they wait it out, trying to find the way to say goodbye."

Source: South Australia Made Showcase