Texts

y separately published work icon The Boat Nam Le , Camberwell : Hamish Hamilton , 2008 Z1495449 2008 selected work short story (taught in 42 units)

'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)

y separately published work icon The Slap Christos Tsiolkas , Crows Nest : Allen and Unwin , 2008 Z1739894 2008 single work novel (taught in 40 units)

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

y separately published work icon Remembering Babylon David Malouf , London Milsons Point : Chatto and Windus Random House , 1993 Z452447 1993 single work novel historical fiction (taught in 48 units)

'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.

Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).

y separately published work icon The Infernal Optimist Linda Jaivin , Sydney : Fourth Estate , 2006 Z1263820 2006 single work novel humour (taught in 3 units)

'Capturing the voice of an Australia you haven't heard in fiction before ... Meet Zeke Togan, a small-time crim in big-time trouble. A quintessential Australian larrikin - whose biggest problem is that he isn't actually Australian. 19 year old Zeke was born in the Old Country but has been in Australia since he was six months old and considers himself as Aussie Aussie Aussie oi oi oi as the next bloke. But due to a mix-up at the naturalisation ceremony (Zeke was in the pub when the rest of his family were getting their certificates and sprigs of wattle) and some unfortunate brushes with the law, Zeke finds himself awaiting deportation from Sydney's Villawood Detention Centre. So Zeke finds himself locked up with the other crims, asylum seekers, sex slaves, illegal workers and visa overstayers. He loves Marlena, She Who Loves, Honours and Obeys Most a the Time Anyway, but he's having a hell of a time proving it from the wrong side of a double fence. His new friends the 'asylums' aren't doing so well either. Hamid loves Angel but she needs more than love. April thinks she loves Azad, but Azad thinks he loves April's daughter Marley. Thomas loves anyplace but where he is. Everyone loves freedom. Not everyone gets it. Everyone wants to survive. Not everyone will.' (Publication summary)

y separately published work icon Metro Alasdair Duncan , St Lucia : University of Queensland Press , 2006 Z1276557 2006 single work novel satire (taught in 5 units) 'Liam Kelly is the very model of the modern male - boys want to be him, girls want to be with him. He and his group of loyal mates spend their days driving around town, drinking beer and very occasionally going to lectures. His good looks compensate, everyone agrees, for his superior attitude and private-school arrogance. Liam and his girlfriend Sara seem to be the perfect couple, but when she leaves for a European trip without him, the facade begins to crumble. He sees six months of freedom ahead, unaware that the consequences of his bad-boy behaviour will threaten the image he has so carefully created. Metro is a satirical tale of morality, masculinity and money from the internationally acclaimed author of Sushi Central.' (Backcover)
y separately published work icon Every Secret Thing Marie Munkara , 2008 St Lucia : University of Queensland Press , 2009 Z1523127 2008 selected work short story (taught in 4 units)

'In the Aboriginal missions of far northern Australia, it was a battle between saving souls and saving traditional culture.

'Every Secret Thing is a rough, tough, hilarious portrayal of the Bush Mob and the Mission Mob, and the hapless clergy trying to convert them. In these tales, everyone is fair game.

'At once playful and sharp, Marie Munkara's wonderfully original stories cast a taunting new light on the mission era in Australia.' (From the publisher's website.)

y separately published work icon Butterfly Sonya Hartnett , Camberwell : Hamish Hamilton , 2009 Z1554853 2009 single work novel young adult (taught in 5 units)

'Here is Plum Coyle, on the threshold of adolescence, striving to be new. Her fourteenth birthday is approaching: her old life and her old body will fall away, and she will become graceful, powerful, at ease. The strength in the objects she stores in a briefcase under her bed - a crystal lamb, a yoyo, an antique watch, a penny - will make sure of it.

'Over the next couple of weeks, Plum's life will change. Her beautiful neighbour Maureen will begin to show her how she might fly. The older brothers she adores - the charismatic Justin, the enigmatic Cydar - will court catastrophe in worlds that she barely knows exist. And her friends - her worst enemies - will tease and test, smelling weakness. They will try to lead her on and take her down.

'Who ever forgets what happens when you're fourteen?' (Publisher's blurb)

Description

Rationale

NB: Information in this Unit Outline is subject to change prior to commencement of semester

It is important for you to acquire knowledge of a range of Indigenous and Non-Indigenous Australian writings.

Aim

This unit aims to improve your analytical, creative as well as oral and written communication skills.

Learning Outcomes

1. Critically/creatively appreciate the diversity of Australian writing within Australia's contemporary literary history through written and oral expression;

2. Evaluate the ways in which social values and political and artistic movements inform and impact upon the production of writing;

3. Identify the relationships between mainstream writing and marginalised writing within the Australian context;

4. Recognise and appreciate the variety of genres and forms in contemporary Australian writing;

5. Develop a portfolio of written and oral responses of an analytical and creative nature based on interpretive responses to the set texts.

Assessment

Oral presentation; essay; reflective journal.

Other Details

Offered in: 2011, 2008
Current Campus: Kelvin Grove
Levels: Undergraduate
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