Cirrus@Austlit

'Thirty years ago Margot Mason, pioneer of the 1970s Women's Liberation movement and fearless academic, wrote her groundbreaking work and numerous best-sellers followed. Now she has writer's block. Molly, an unannounced visitor and committed fan of Margot and her work, offers a potential solution - until Molly produces a gun and calmly informs Margot that she intends to kill her because she blames her for warping her mother's mind and ruining her life with her hit book The Cerebral Vagina.

'Joanna Murray-Smith's deliciously wicked comedy deftly walks the tightrope between satire and farce proving the female of the species is not only deadlier, but funnier than the male.

This play 'was inspired by Germaine Greer's experience of being held captive in her country house in Essex in 2000'. (Publisher's blurb)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.