Larry's Party, Shields, London, Fourth Estate, 1998
The Art of Fiction, Lodge, Vintage, 2011
Making Shapely Fiction, Stern, New York, W.W. Norton, 2000
How Fiction Works, Wood, London Vintage, 2009
The Writing Experiment : Strategies for Innovative Creative Writing
Crows Nest
:
Allen and Unwin
,
2005
Z1180448
2005
single work
criticism
(taught in 10 units)
'The book is specifically designed for tertiary level students studying creative writing, though it can be used by the more general reader. It takes an experimental approach, stresses incremental strategies and uses literary and cultural theory to illuminate the process of writing. It includes many different types of writing, including fiction, poetry, mixed genre writing, writing for performance and writing for new media. Each chapter is illustrated with extensive student and published examples.'
(Source: information provided by Hazel Smith.)
White Lines (Vertical)
Ormond
:
Hybrid
,
2010
Z1675828
2010
selected work
poetry
(taught in 4 units)
'White Lines (Vertical) is a new collection of poetry by Marcelle Freiman. These moving poems highlight the poet's sensibility towards the complex, varied facets of identity and her perceptions of the world. Coming from a family whose generational identity is one of migration from Europe, this South African immigrant responds intently to Australia's landscape and its art, and to the intersections of these with personal and cultural memory.' (From the publisher's website.)
The Golden Day
Crows Nest
:
Allen and Unwin
,
2011
Z1770097
2011
single work
novel
young adult
mystery
(taught in 6 units)
'"There were only eleven of them, like eleven sisters all the same age in a large family. Because it was such a very small class, they had a very small classroom, which was perched at the very top of the school - up four flights of stairs, up in the high sky, like a colony of little birds nesting on a cliff. 'Today, girls,' said Miss Renshaw, 'we shall go out into the beautiful Gardens and think about death."'
'In the Gardens they meet a poet. What follows is inexplicable, shocking, a scandal. What really happened that day? Is 'the truth' as elusive as it seems? And do the little girls know more than they are letting on?' (From the publisher's website.)
This unit offers students the opportunity to develop their writing across one or more genres, and to extend their skills both in the crafting and the analysis of the craft of writing. Two modules specifically cover poetry and writing for children. For students who have completed CWPG810, this unit is an opportunity to develop on the work achieved in that unit; for other students this unit offers key concepts and practices that will be extended by future study in CWPG810. Students reflect upon and interrogate their writing and writing process, explore new methods in relation to craft and technique or genre, and link this work to consideration of published creative works and contemporary narrative studies. Writing workshops and discussion of the readings are structured so that students can make productive links between concepts in narrative studies and their own writing. The unit is assessed through creative writing assignments, writing exercises and tasks, participation in weekly writing workshops, and the reading, analysis and discussion of critical and creative texts.
Graded.
S2 Evening - Session 2, North Ryde, Evening
S2 External - Session 2, External (On-campus dates: Voluntary)
