Australian Screen (3012HUM)
Semester 2 / 2013

Texts

y separately published work icon Australian Cinema after Mabo Felicity Collins , Therese Davis , Cambridge : Cambridge University Press , 2004 Z1207285 2004 single work criticism (taught in 1 units) This book is a study of Australian national cinema in the 1990s. Felicity Collins and Therese Davis explore the role of Australian cinema in reviewing and reproducing the colonial past in relation to the 1992 Mabo decision which overturned the national founding myth of terra nullius and 'changed the meaning of landscape and identity in Australian films'. Source : Australian Cinema After Mabo (2004).
y separately published work icon Film in Australia : An Introduction Albert Moran , Errol Vieth , Cambridge New York (City) : Cambridge University Press , 2006 Z1882610 2006 multi chapter work criticism (taught in 10 units) 'Film in Australia: An Introduction is a groundbreaking book that systematically addresses the wide-ranging output of Australian feature films. Adopting a genre approach, it gives a different take on Australian films made since 1970, bypassing the standard run of historical texts and actor- or character-driven studies of Australian film. Comedy, adventure, horror, science fiction, crime, art films and other types are analyzed with clarity and insight so the reader can recognize and understand all kinds of Australian films, whether they are contemporary or older features, obscure gems or classic blockbusters' (BOOK JACKET).

Description

Australian Screen addresses the wide-ranging output of screen production in Australia with particular emphasis on the varied approaches to studying Australian film as a national cinema. It does this through a program of lecture-workshops, screenings, and readings. Incompatible: 3012ART Australian Film. Incompatible: HH13F04 Australian Film. Incompatible: 3012FMC Australian Film. Incompatible: 3012AMC Australian Film.

This course provides students with the opportunity to develop an understanding of the varied approaches to, and history of, Australian screen production and culture in an international context. It examines the role of industry structures and technologies which promote and sustain the Australian screen industry and the impact of digital technology and media convergence. It explores the concept of genre, aesthetics and style and examines the nature of contemporary Australian screen in historical, cultural, institutional and textual terms.

Particular emphasis falls on the matter of just how Australian feature films fit into a larger international context, on how the organisation of the national film industry leaves a specific imprint on the filmic output and how narrative and genre operate to produce specific filmic meanings. The course considers a variety of theoretical traditions of inquiry into national cinema. In this way, students will not only obtain a thorough insight into the particular subject of Australian film but will also learn to discriminate and navigate particular methodologies for the understanding of national cinemas in general.

Assessment

Test or quiz - weekly worksheets (x10) 30%

Written assignment - film reflection 20%

Research-based assignment - final essay 50%

Supplementary Texts

Williams, D. Verevis, C and King, N (2013) Australian Film Theory and Criticism: Volume 1: Critical Positions. Intellect Ltd

Goldsmith, B & Lealand, G (2013) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd

Other Details

Offered in: 2009, 2010, 2012
Current Campus: Gold Coast, Nathan
Levels: Undergraduate
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