Cirrus@Austlit

'Set in England between the wars, this novel tells the story of an aristocratic family, a house, a mysterious death and a way of life that vanished forever, told in flashback by a woman who witnessed it all and kept a secret for decades.

'Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline. In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they - and Grace - know the truth.

'In 1999, when Grace is ninety-eight years old and living out her last days in a nursing home, she is visited by a young director who is making a film about the events of that summer. She takes Grace back to Riverton House and reawakens her memories. Told in flashback, this is the story of Grace's youth during the last days of Edwardian aristocratic privilege shattered by war, of the vibrant twenties and the changes she witnessed as an entire way of life vanished forever.

'The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It is also a meditation on memory, the devastation of war and a beautifully rendered window into a fascinating time in history.' (Publisher's blurb)

'Her beauty saved her life - and condemned her.

'Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp, in 1942. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.

'After liberation, Cilka is charged as a collaborator for sleeping with the enemy and sent to Siberia. But what choice did she have? And where did the lines of morality lie for Cilka, who was sent to Auschwitz when still a child?

'In a Siberian prison camp, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she makes an impression on a woman doctor, Cilka is taken under her wing. Cilka begins to tend to the ill in the camp, struggling to care for them under brutal conditions.

'Cilka finds endless resources within herself as she daily confronts death and faces terror. And when she nurses a man called Ivan, Cilka finds that despite everything that has happened to her, there is room in her heart for love.'

Source: Publisher's blurb.

'VICTIM. KIDNAPPER. CRIMINAL. You will become each one. You are now part of the chain. Don't break the chain.

'THE ONLY WAY TO GET YOUR CHILD BACK IS TO KIDNAP ANOTHER.

'Listen carefully ...
Your child has been kidnapped.
You must abduct someone else's child to save your own.
Disobey. Break the rules. Go to the cops. Your child will die.
Your victim's parents must kidnap another child before yours is released.
You are now part of the chain.

'#DONTBREAKTHECHAIN'

Source: Publisher's blurb.

'My real name, no one remembers.
The truth about that summer, no one else knows.

'In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Oxfordshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe's life is in ruins.

'Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river.

'Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

'Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love and loss. And flowing through its pages like a river, is the voice of a woman who stands outside time, whose name has been forgotten by history, but who has watched it all unfold: Birdie Bell, the clockmaker's daughter.' (Source: Publisher's blurb)

'The Tattooist of Auschwitz is based on the true story of Lale and Gita Sokolov, two Slovakian Jews who survived Auschwitz and eventually made their home in Australia. In that terrible place, Lale was given the job of tattooing the prisoners marked for survival - literally scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust. Lale used the infinitesimal freedom of movement that this position awarded him to exchange jewels and money taken from murdered Jews for food to keep others alive. If he had been caught, he would have been killed; many owed him their survival.

'There have been many books about the Holocaust - and there will be many more. What makes this one so memorable is Lale Sokolov's incredible zest for life. He understood exactly what was in store for him and his fellow prisoners, and he was determined to survive - not just to survive but to leave the camp with his dignity and integrity intact, to live his life to the full. Terrible though this story is, it is also a story of hope and of courage. It is also - almost unbelievably - a love story. Waiting in line to be tattooed, terrified and shaking, was a young girl. For Lale - a dandy, a jack-the-lad, a bit of a chancer - it was love at first sight, and he determined not only to survive himself but to ensure that Gita did, too. His story - their story - will make you weep, but you will also find it uplifting. It shows the very best of humanity in the very worst of circumstances.

'Like many survivors, Lale and Gita told few people their story after the war. They eventually made their way to Australia, where they raised a son and had a successful life. But when Gita died, Lale felt he could no longer carry the burden of their past alone. He chose to tell his story. ' (Publication summary)

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)

'Charlie always thought his body could be better. His employer, military contractor Better Future, has the resources he needs to explore a few ideas. So he begins to build parts. Better parts. Charlie's prosthetist, Lola, is impressed by his artificial limbs. But some see him as a madman. Others, a product. Or even a weapon.

'Existing at the intersection between mind and body, in the dawn of the age of pervasive technology, Machine Man is a gruesomely funny tale about one man's quest for the ultimate in self-improvement.' (From the publisher's website.)