Ella Skilbeck-Porter Ella Skilbeck-Porter i(6582790 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Three Three-minute Paragraphs i "Go at the six, turning, the nap stretches to 90 minutes, go at the six, turning, the garden gate left open open", Ella Skilbeck-Porter , 2024 single work poetry
— Appears in: Cordite Poetry Review , 1 February no. 111 2024;
1 Exchanges i "Hi Holly", Holly Isemonger , Ella Skilbeck-Porter , 2023 single work poetry
— Appears in: Australian Poetry Journal , vol. 12 no. 2 2023; (p. 18-23)
1 1 y separately published work icon These Are Different Waters Ella Skilbeck-Porter , Newtown : Vagabond Press , 2023 26515757 2023 selected work poetry

'Deftly working across both verse and visual poetry, Skilbeck-Porter gathers aesthetic experience and layers thought and memory, structuring the collection through the central motif of the municipal swimming pool, where fragments of thought and observation swim and float to the surface. Observational, attentive, and at times surreal, Skilbeck-Porter’s work immerses the reader in a sensory experience that delights the eye and the mind. These Are Different Waters is the first iteration of what Skilbeck-Porter terms a ‘poetics of no division,’ where everything is permitted and boundaries are traversed, emphasising interrelatedness and fluidity without hierarchy. It is a sublime and accomplished debut from a poet who has been working in concrete and verse poetry for over a decade.

'Conceptual, droll and formally experimental, These Are Different Waters disposes its wide-ranging materials into an elegant two-part structure: ‘Inflatable pool’, and the substantial visual sequence, ‘Concrete Pool’. Skilbeck-Porter dares to devise her own weird syntax of hallucinatory profusion, a through-composed ‘ink spell’ of restless, post-Steinian parataxis. Decisive and yet dreamy, its poetic bricolage, ‘a stratosphere of shifting surfaces’, resists closure and passes the baton: ‘The end of my swim, the beginning of yours’. Helen Anne Bell Poetry Bequest Award Judges' (Publication summary)

1 Two Days After Samhain i "What a luxury", Ella Skilbeck-Porter , 2022 single work poetry
— Appears in: Heat (Series 3) , August no. 4 2022; (p. 58-59)
1 Cat's Pantoum i "Cat in curve, perched on the side table", Ella Skilbeck-Porter , 2022 single work poetry
— Appears in: Heat (Series 3) , August no. 4 2022; (p. 57)
1 Herb Greedy Avenue, Marrickville i "I trip up the slow avenue", Ella Skilbeck-Porter , 2022 single work poetry
— Appears in: Heat (Series 3) , August no. 4 2022; (p. 56)
1 Harbour i "The harbours outside the window", Ella Skilbeck-Porter , 2022 single work poetry
— Appears in: Heat (Series 3) , August no. 4 2022; (p. 53-55)
1 Hallucinations with Fruits i "A problem of size / A matter of size", Ella Skilbeck-Porter , 2022 single work poetry
— Appears in: Going Down Swinging Online 2022;
1 Diving i "There is a distant feeling if you want to catch it it'll be here", Ella Skilbeck-Porter , 2020 single work poetry
— Appears in: Rabbit , June no. 30 2020; (p. 190-192)
1 Between Attraction i "Walk the line, rather", Ella Skilbeck-Porter , 2018 single work poetry
— Appears in: Arts Features International : Escape Artists Anthology 2018; (p. 162)
1 Napaltjarri i "The painting is a waterhole by the sand-hills", Ella Skilbeck-Porter , 2018 single work poetry
— Appears in: Arts Features International : Escape Artists Anthology 2018; (p. 161)
1 Slipping through Surfaces : Women in Speculative Fiction Ella Skilbeck-Porter , 2018 single work essay
— Appears in: Escape Artists Anthology 2018; (p. 197-212)
1 1 Love Institution Ella Skilbeck-Porter , 2018 single work short story
— Appears in: Escape Artists Anthology 2018; (p. 168-196)
1 Review Short : Corey Wakeling’s The Alarming Conservatory Ella Skilbeck-Porter , 2018 single work review
— Appears in: Cordite Poetry Review , 1 November no. 88 2018;

— Review of The Alarming Conservatory Corey Wakeling , 2017 selected work poetry
1 Review Short : Corey Wakeling’s The Alarming Consevatory [sic] Ella Skilbeck-Porter , 2018 single work review
— Appears in: Cordite Poetry Review , August no. 87 2018;

— Review of The Alarming Conservatory Corey Wakeling , 2017 selected work poetry

'The Sydney launch of Corey Wakeling’s second collection of poetry The Alarming Consevatory at Frontyard Projects in Marrickville upended the traditional build up of acts that most expect from a poetry launch, with poets reading in an order drawn from a hat. The environment is amicable and warm, with young children running and playing and affectionately stealing attention from the readers by unwittingly performing alongside of them.' (Introduction)

1 Avalon Airport / How to Unatomise the Fragment i "Is a day, sending two messages, going for a swim, making a soup & doing the crossword, enough?", Ella Skilbeck-Porter , 2018 single work poetry
— Appears in: Cordite Poetry Review , August no. 87 2018;
1 Furnishings 1 & 2 [Of the Moment Of] i "a day", Ella Skilbeck-Porter , 2017 single work poetry
— Appears in: Otoliths , 1 February no. 44 2017;
1 Gardening i "What is known that is lost - is it", Ella Skilbeck-Porter , 2017 single work poetry
— Appears in: Rabbit , no. 23 2017; (p. 20-22)
1 Spaces i "When I was at yours", Ella Skilbeck-Porter , 2017 single work poetry
— Appears in: Rabbit , no. 23 2017; (p. 18-19)
1 7 A.m. Refractions i "take thought a strainer for tea", Ella Skilbeck-Porter , 2017 single work poetry
— Appears in: Cordite Poetry Review , November vol. 83 no. 2017;
X